Pentax 6x7 newbie

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I'd rather own this system any day instead of a Hassle-bland.

+1!

Or you could spend big bucks for a 75/2.8.

It's a curious thing that the pricing of this lens on the second-hand market remains persistently high ($1,644 the last specimen in EX+ condition, street dealer). You do get what you pay for, though in handling and beautifully crisp, detailed optical performance. I bought the 75mm f4.5 in 2010 but found Icould not get by with it, as all my work makes use of a KSM polariser, and it can be a fraught challenge focusing precisely with f4, let alone f4.5! Yes, the centre-spot magnifier is a little gem, though awkward in actual practice as it is a bit fiddly to attach and detach. The right-angle finder can be a great help with focusing (these have dioptric correction, but so too does the mentioned centre-spot magnifier).
 
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eric antonio

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I canf believe my luck today. Jury duty all day (im juror number 4) and had to work when i got home. I have a pentax 55mm on my auction sesrch terms and been looking all day. Checked all night while working cause i have some down time and seeing a lot in Japan. Then out of the blue one popped up in the US and it says 67, rubber grip, and f/4. Not the 6x7 and knurled grip. Looks like a seller has many things for sale but not camera equipment. And it was BIN for 149 with free shipping. Now i got the 3 lens kit that i wanted.
 

guangong

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The idea of a big 120 camera modeled on a 35mm camera seems like a good idea, but from my own experience the idea doesn’t quite work. I never had a Pentax 67, but in the 1970s the folks at Pentacon gave me a 6x6 and a couple of lenses. I tried to like it but for me it just wasn’t as comfortable in use as my Hasselblad or Rollei TLR. That doesn’t mean that Eric won’t be happy with a Pentax 67 but he should take the opportunity to play with one before buying. The weight and size just seems easier to control at waist level rather than at eye level, but that is something for the user to decide.
Another comment. Movie cameras such as the 16mm Arriflexes an Beaulieus, while heavy, are designed to be handheld and the Arri especially was built to withstand rough treatment.
 
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I canf believe my luck today. Jury duty all day (im juror number 4) and had to work when i got home. I have a pentax 55mm on my auction sesrch terms and been looking all day. Checked all night while working cause i have some down time and seeing a lot in Japan. Then out of the blue one popped up in the US and it says 67, rubber grip, and f/4. Not the 6x7 and knurled grip. Looks like a seller has many things for sale but not camera equipment. And it was BIN for 149 with free shipping. Now i got the 3 lens kit that i wanted.

The designations of the lenses can cause confusion and are often lazily interchanged by sellers and dealers as if it doesn't matter, but it does in terms of old optics versus those which have improvements and handle better. The earliest 6x7 Asahi Pentax Takumars date back from the late 1960s when the Honeywell and Asahi Pentax 6x7 cameras first appeared. Then came the Pentax 6x7 designated lenses, and finally in 1989, a number of lenses (45, 55, 104 and the limited production 75mm f2.8AL) went through minor improvements (e.g the 45mm f4 was fitted with a rear gelatin filter holder) and cosmetic updates and designated as SMC Pentax 67 -- the best of the lot in many ways, building on improvements over the decades, although a great many lenses are time-honoured Distagon designs. Many old Takumars will have haze and/or marked dust, balsam separation and possibly lazy apertures, so getting your hands on a lens for inspection, and working it is better than relying on a dealer who has incorrectly described the lens or worse, not mentioned something is awry! Yes, it's not always possible on auction sites, so as usual, buyer beware.
 
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tomfrh

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If the metering prism isn't working it can be because the slider/hook thing isn't engaged (e.g. if you put the prism on with the lens stopped down). Remove prism/lens and start again.
 
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If the metering prism isn't working it can be because the slider/hook thing isn't engaged (e.g. if you put the prism on with the lens stopped down). Remove prism/lens and start again.

ˆPost #15
 

FerruB

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If the metering prism isn't working it can be because the slider/hook thing isn't engaged (e.g. if you put the prism on with the lens stopped down). Remove prism/lens and start again.

Could happen as well that the metering prism seems to be completely dead, nothing. I got a metering prism almost for free with this symptoms. It appears that the indications LED inside the prism are mounted on a small support that can "easily" tilt disappearing from the mirror sight.
You just need to remove the cover and tilt the LED back into position and voila!
Cheers
 
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Could happen as well that the metering prism seems to be completely dead, nothing. I got a metering prism almost for free with this symptoms. It appears that the indications LED inside the prism are mounted on a small support that can "easily" tilt disappearing from the mirror sight.
You just need to remove the cover and tilt the LED back into position and voila!
Cheers


Indications LED??
What Pentax 6x7 are you referring to?
There are no LED indicators in the Pentax 6x7 or Penteax 67. The later, modernised 67II might be a different matter...
 

FerruB

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Indications LED??
What Pentax 6x7 are you referring to?
There are no LED indicators in the Pentax 6x7 or Penteax 67. The later, modernised 67II might be a different matter...

I am indeed referring to the exposure bar of the AE pentaprism finder 67II
Cheers
 

Michael Firstlight

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The idea of a big 120 camera modeled on a 35mm camera seems like a good idea, but from my own experience the idea doesn’t quite work. I never had a Pentax 67, but in the 1970s the folks at Pentacon gave me a 6x6 and a couple of lenses. I tried to like it but for me it just wasn’t as comfortable in use as my Hasselblad or Rollei TLR. That doesn’t mean that Eric won’t be happy with a Pentax 67 but he should take the opportunity to play with one before buying. The weight and size just seems easier to control at waist level rather than at eye level, but that is something for the user to decide.
Another comment. Movie cameras such as the 16mm Arriflexes an Beaulieus, while heavy, are designed to be handheld and the Arri especially was built to withstand rough treatment.

Funny, the fact that it handles exactly like a 35mm on steroids is exactly why I love my 67II - especially with the rosewood grip. It all comes down to personal preference, doesn't it? I can often just hold the rig by the rosewood grip and it frees up my other hand much more easily than when holding a box - like my RB67s which I leave on a tripod in the studio. I am not sure comparing it to a Pentacon with its bulky pentaprism, no AE finder, and no comfortable grip like the rosewood on the 67 is an apples-to-apples comparison.

MFL
 

marcmarc

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I've used a rental 67 body (2nd generation) and the last generation 67II. The 67II is a bit lighter and has a nice built in grip but is priced waaay more then the 67. I think the 67II has better mirror dampening too if I'm correct. The 67 which is basically the same as the original 6X7 except all 67's have MLU is probably your best buy. If I ever come across one in good condition for a good price I'd pick one up. Yes, I have a bit of GAS. Please stand upwind from me!
 
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