The price is't too bad, especially if it include a C.L.A, I consider having my equipment professionally serviced when it's required as part of the cost of my photography. which is why I've had most of it for more than thirty years, and it's all still in full working order.Ultimately I sent my camera to Le Zott Camera Repair in Williston Vermont. I spoke to them on the phone and was impressed by their professionalism and courtesy. My camera was turned around in just a few days. You will likely wince at the price (as I did), but once you are invested in this camera system there are precious few options. Maybe there were cheaper options closer to my area . . . but I couldn't find them. Best of luck!
http://lezot.com/pentax-6x7-67-67-ii-repair-service/
If the camera thinks you have 220 when in fact it is an 120 that's not as bad as the other way around. I think by sliding the film pressure plate left or right it causes a switch to flip. You may want to look into that to see if you can find a mechanism behind the film door that does the trick of telling the film winding mechanism if it is allowed to advance beyond frame 10 and continue to frame 21. I think there is a pin that is pressed in or not (when the film door closes) depending on if the plate is set to 120 or 220. Maybe the pin is bent. Or the pin is missed by the pate.You are right I don't see any direct 120/220 indication on the LCD display. I suppose you could call the fact that the frame numbers stop at different places an indication of 120/220 installed. I think the problem was that with the plate set at 120 the film counter didn't stop at 10 but continued on to 20. That was what needed to be repaired.
You are right I don't see any direct 120/220 indication on the LCD display. I suppose you could call the fact that the frame numbers stop at different places an indication of 120/220 installed. I think the problem was that with the plate set at 120 the film counter didn't stop at 10 but continued on to 20. That was what needed to be repaired.
If you look at the camera from behind with the film door opened the metal pin is right beneath the shutter speed dial. You can see that the pin will be pushed down (into the camera) by the film pressure plate when the plate is positioned in one way but not the other. So this pin depressed in or not tells the camera if the film is a 120 or 220. It is the position of the plate that determines if the film will be 120 or 220. It is not determined by the film but by the position (left or right) of the plate.
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