I have been following your work for quite a few years now and I always have liked what you do.I tried paying for journalism with my book project for the Red Light District in Amsterdam. But the few girls I paid all cheated me. (some were not even girls.) So I went back to my roots and shot it candid. Got lots of threats from that project.
When I go out to shows, I do not take business cards as it looks like I am trolling for business, I am an active photographer/printer of my own work and obsession and I find that just saying my name is much easier than handing over a card with all my details/code/ crap. If I had a website of my personal work I would consider just handing a card with that site on it so the people I meet see me differently.
A lot of good points here, I agree with this approach, I give a final print to anyone who supplies me with material for my still life shoots.
"candid documentary" isn't like "journalism."
Journalism implies or means there is a publisher...and publisher implies or means there is an editor.
The role of editor is a big deal.
When you define things for yourself, anything goes.
pseudo wedding photographers who get paid $20-35G / wedding ????and pseudo wedding photographers
Bottom line…a photo is either honest or it is a phony – paying money for access has nothing to do with it. It is the same as paying for access to get into an event to shoot. If you like the subject that much, pay them if it is required or you can pass on the shot / story if it bothers you.
pseudo wedding photographers who get paid $20-35G / wedding ????
That is nice. I used to do the same with people providing their bodies for photos. But they don't seem to be interested nowadays.
Since you titled your rules "Hierarchy of Documentary Photography" maybe it should.If the type of work I do is not journalism, then maybe thread should be called 'paying for documentary photos.'
Really? You'd think work of your calibre would be met with some gratitude....even the gesture is a very respectful thing to do.That is nice. I used to do the same with people providing their bodies for photos. But they don't seem to be interested nowadays.
You can "believe" whatever you want, but the reality is that "journalism" is a profession, warts and all, just as it has always been . The significance/quality of the editors et al have directly it to do with what the subscriber/whatever gets. That a politician or his masters denounce journalism is often the measure of the journalist. Politicians never praise journalism, but sometimes they do establish things that can be counted upon to praise them.
Just remembering this brilliant post.
While candid documentary photography is my goal, you can not always do justice to a subject with candid work. In this case I also paid the subject $1 for the photo. Paying $ for a story or photos is usually frowned on by professional journalists. It does not bother me, I am just paying for access. Photo is no less honest for paying the $1. The difference in ethics is; are you paying $ to manufacture a story or are you paying $ to document a story?
Here is the 'Hierarchy of Documentary Photography' which I created.
1. Candid events unfolding as they happen.
2. If it cannot be perfected or obtained as a candid, then the photo must be posed.
3. If it cannot be perfected or obtained as a posed photo, then it must be staged with the proviso it is a recreation of past events, preferably with the actual persons reenacting the events.
4. Figments of the imagination. Varies in documentary value. Can be based on pure speculation or a recount of events.
I could have got the photo candid while walking by, but it would not look the same, so I paid. If I wanted this style of shot, I could have been an asshole, squatted down, shot him and walked off without a payment. But is it worth being an asshole over a lousy buck?
A gal in Hollywood, CA got stabbed to death over that very thing.
http://articles.latimes.com/2013/jun/19/local/la-me-0620-hollywood-killing-20130620
Eve Arnold paid $1000 in the late 1959 for access in shooting her black Muslim project. ($1000 in 1959 is = to about $8,000 nowadays.)
http://www.wsj.com/articles/SB10001424052970204257504577150641295316770
This shot cost $5. Busking is their livlihood, so it is unrealistic to think they want to work for free. Kinda hypocritical how photogs complain people want their photos for free, yet the same photogs won't shell out a buck if a payment is requested. They expect other people to work for free, but not them.
Bottom line…a photo is either honest or it is a phony – paying money for access has nothing to do with it. It is the same as paying for access to get into an event to shoot. If you like the subject that much, pay them if it is required or you can pass on the shot / story if it bothers you.
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