George Papantoniou
Member
I have to tell you that I have succeded to make Palladium prints on three kinds of paper that I have never seen mentioned in manuals and notes about the process. They are:
Canson Montval (and montval torchon)
Canson Aquarelle
Whatman
I have used the Palladium solution dear Karl Heinz Kland sent me from Germany and some Ferric Oxalate that I had since 1997 or something. The latter had gone bad but I resurrected it with the help of my fellow APUGgers (and some oxalic acid)...
I have used the Palladium paper with my students and now they are really happy to have 2-3 good prints each to expose in their annual show.
The only problem encountered was that since we had to enlarge their 35mil negs to the desired 8x12 inch size, we used digital means (scanning) and printed them on Duraflex material in a Lambda printer, only to realize that the Duraflex incorporates a UV filter that boosted our exposure time 15X.... it was boring, but it worked in the end... if we knew it would take so much time and effort, we would have enlarged the negs manually on lith film...
Canson Montval (and montval torchon)
Canson Aquarelle
Whatman
I have used the Palladium solution dear Karl Heinz Kland sent me from Germany and some Ferric Oxalate that I had since 1997 or something. The latter had gone bad but I resurrected it with the help of my fellow APUGgers (and some oxalic acid)...
I have used the Palladium paper with my students and now they are really happy to have 2-3 good prints each to expose in their annual show.
The only problem encountered was that since we had to enlarge their 35mil negs to the desired 8x12 inch size, we used digital means (scanning) and printed them on Duraflex material in a Lambda printer, only to realize that the Duraflex incorporates a UV filter that boosted our exposure time 15X.... it was boring, but it worked in the end... if we knew it would take so much time and effort, we would have enlarged the negs manually on lith film...