Willie Jan
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Hi,
if i for example use a 1+9 paper developer, develop a print and do the same for a 1+4. (kentmere vc select, 90 seconds at 20 degr celc.)
I notice that the 1+4 has more deep blacks than the 1+9.
Has anyone got the same results?
extending the time of the 1+9 to for example 6 minutes will result in the highlights start to develop off white.
Until last week i always used the 1+9, but now i start to question myself if the 1+4 for give me a improved quality image.
As an adjunct to these comments I experimented yesterday evening with a very dilute solution of ID-78 (1+19) compared to a more usual dilution of 1+3. After approximately 10 minutes in the developer, the image still didn't appear fully developed, whereas @ 1+7 after 5 minutes the image did appear fully developed.
Tom.
Yes, yes and yes. For more in-depth information, I highly recommend Dr. Richard J. Henry's book 'Controls in B&W Photography' 2nd Edition (unfortunately out of print). He tested this and many other subjects to death. I typically use Dektol 1+2, but for paper negatives, I use it 1+8 to make sure I get a very soft image and no Dmax.
I found one copy for 12 dollar on amazon. Thanks.
And some people think cellphones are a suitable replacement for dedicated cameras...
Tom.
Hi,
if i for example use a 1+9 paper developer, develop a print and do the same for a 1+4. (kentmere vc select, 90 seconds at 20 degr celc.)
I notice that the 1+4 has more deep blacks than the 1+9.
Has anyone got the same results?
extending the time of the 1+9 to for example 6 minutes will result in the highlights start to develop off white.
Until last week i always used the 1+9, but now i start to question myself if the 1+4 for give me a improved quality image.
One night I kept diluting a developer further to see what extreme I could find and the result was a very red/brown print with low contrast/shadow density. It was fully developed.
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