There are many analogues, but do any of them have stationary film with a moving lens?
MattKing has definitely placed doubts in my mind as to whether it would work like I had envisioned. I've got to devise some kind of test...
I'd love to see this Laguna Beach artist though, that sounds great!
And luckily I'm not a materials engineer.... I have very few concrete ideas........ cue: *laughter and applause*
Hey everyone,
In a nutshell, imagine a long, narrow box that would hold an entire roll of film (let's assume 35mm for now). The roll would be laid out flat in this dark box. The lens would then be in a track that runs along the length of the box, with a slit aperture between it and the film... much like a Widelux, or similar designs. The picture would be exposed by uncapping the lens and sliding the lens across the length of the film; the slit allowing a thin sliver of light to scan the film. Shutter speed could be altered by different sized slits or by the speed of the lens transport.
Steve:
For those photo-finish cameras, isn't it critical that the speed of the film be close to the speed of the horses? And isn't it the case that stationary objects are rendered as blurs?
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