I wonder if anyone makes a combination leveler and three way head.
The 3047 head was made for many years. It was crude and heavy, but it did the job. Fred Picker sold it with his Zone VI lighter as well as heavier tripods. Manfrotto (or Bogen?) also made a flat plate to fit the hex head receiver. The plate was the right size to hold the bottom of a large format camera and distribute the weight. I much prefer the Linhof quick release, but it is a much more expensive system.I also have a Manfrotto 3047 that i use with my 350 and sometimes with the 350 + 2x. the lens doesn't have a mounting plate so I had a machine shop make a "gadget" that has a mounting plate and holds the lens. I would use the mounting plate that is on your 3lb lens because it is designed to balance the weight over the tripod.. It should not be inconvenient since it is probably in this case best to remove the camera from the tripod to change lenses anyways.
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Alan, I dislike people who won't take yes for an answer. And I dislike paranoid old men who think I have nothing better to do than mislead them.Well,, the reason I ask is I never can get a tripod perfectly level even with a the bullseye. It's always off enough so when I pan, I have to adjust the three-way anyway after I pan. So will the leveler really provide me a pan without any need for leveling after moving? If I still have to adjust even a little, I might as well not bother getting one. Do you or anyone find this problem with the leveler?
In pursuit of maximum sharpness with my recently acquired 500mm F8 Hasselblad lens and soon to arrive tripod I've decided to move away from ball heads as too problematic and less stable and move on to a pan-tilt head like the Gitzo GHF3W 3-Wedge-Fluid-Neiger. I won't be photographing birds or other fast-moving wildlife but rather landscapes and architecture, so I won't need a gimbal set-up at this point either. I also understand that attaching the lens directly to the top of the tripod may be the most stable, but that seems too inconvenient. Any thoughts?
Dan, I'm sorry if you took my question as a criticism of you. It wasn't. The point I was making was I've never been able to use a bullseye to get a perfectly level tripod. Maybe you're better at it than me. But since I can't do that, I'm wondering if it makes sense to get a level that uses the same type bullseye that the tripod does. Maybe there are others who find they have the same problem I do. If they do, maybe they have a way around it.Alan, I dislike people who won't take yes for an answer. And I dislike paranoid old men who think I have nothing better to do than mislead them.
So, NO. Don't get a leveler. It will never satisfy you.
Mine have all worked very well for me as long as there was fluid in their levels.
That's a really nice offer. Maybe when this virus is over, we can get together on a photo shoot sometime. I've been wanting to get down to the Pine Barrens. I was finally able to get out a few days ago. They opened the Monmouth Battlefield on the east side at least off Rte 9, and I was able to get in a few shots on my new 4x5.Alan, if we didn't have this damned coronavirus I'd offer to drive up and let you try my tripods with ball levelers. Before the plague arrived I went up to north Jersey occasionally.
My Berlebach Reporter has a leveling ball, works pretty well but moves slightly when I tighten it. But on the subject of bowl style head mounting it’s been the standard for filmmaking tripod fluid heads for about 50 years. Set the tripod, then adjust the ball base to level in an instant. This is critical in filmmaking if the camera pans or tilts. 150, 100 and 50mm are the standard bowl sizes.Out of curiosity, has anyone tried the bowl style tripods that seem to be popping up lately?
Conceptually, it should work great for leveling the tripod head, but I don't know if concept and reality are on speaking terms.
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