There was a heated discussion on APUG about making generics of Leonardo , Rembrand paintings with the help of statistics and computer. Someone pointed that it was not possible because paints are bumpy 3D creations.
I think now it is possible with simulating paint flow and brush effect in 3D with 3D monitors.
I thought how can we draw 3d paintings on 2d film. And every color layer might have the 3d bumpiness like every oil painting have bumpy paint layers.
I think answer is using Daylight Film which used by Prepress Companies with extreme low ASA and possible to work with low daylight. This is for bw.
And 8x10 color slide film could be developed to extreme low asa setting.
We could use RGB lasers where R and G lasers sold for 5 dollars and Blue is around.
We could kiss the laser to film plane and every laser light , go inside of film , reflect from mirror and intersect with original beam and make a hologram. Every different angle of laser will make a different hologram depth.
With playing RGB lasers at the different layer of slide film make a different color hologram and totaly an color hologram.
Umut
I think now it is possible with simulating paint flow and brush effect in 3D with 3D monitors.
I thought how can we draw 3d paintings on 2d film. And every color layer might have the 3d bumpiness like every oil painting have bumpy paint layers.
I think answer is using Daylight Film which used by Prepress Companies with extreme low ASA and possible to work with low daylight. This is for bw.
And 8x10 color slide film could be developed to extreme low asa setting.
We could use RGB lasers where R and G lasers sold for 5 dollars and Blue is around.
We could kiss the laser to film plane and every laser light , go inside of film , reflect from mirror and intersect with original beam and make a hologram. Every different angle of laser will make a different hologram depth.
With playing RGB lasers at the different layer of slide film make a different color hologram and totaly an color hologram.
Umut