That's a real bummer and closes the chapter on this scanner - for me at least. I have no idea why it is so damn hard to batch scan a whole 120 film, with a scanner that has already some form of transport mechanism. Even the Coolscans supported this only poorly and only for 35mm films :angry:6x7s... yes youre right. You CANT do batch anything really in 120. In 645, you can do two at a time and Im not sure about 6x6, but 6x7 yould have to cut the negative (same for 6x9)
I have read rumors somewhere that this is the same thing as the Reflecta MF5000, which is reviewed here. Since you indicated that you know German you should be able to read this review, the rest will have to live with some automatic translation. And since you own the Pacific Image scanner you could confirm whether these two scanners do indeed look exactly the same.So, far I like it..it IS very fast. Im still unsure about the true resolution.
Since other scanners made by Pacific Image are indeed supported they seem to share their specs with Ed Hamrick. I assume that support for your scanner will come eventually.What I DONT like is the software. It might be me , but it seems like I have less control than id like in the pre scan option and the only Ive been able to get a decent color scan is using auto for everything. At the moment it seems that none of the Vuescans out there support this scanner, but if they ever do..id certainly jump ship..
I don't mind scanning one negative at a time, but it is completely unacceptable to have to cut strips into single negatives, especially for a $2000 scanner.
The PrimeFilm 120 is *not* a drum scanner -- the Nikon 9000 is a better comparison in terms of features and cost.At many archives the negatives are cut down to singular frames. Many times strips are cut to the single image to be drum-scanned. Imacon film holders don't all accept strips of negatives....
So is it acceptable to cut strips into single negatives if you have a $15,000 scanner?
No, it's not. I consider it a severe design flaw and it speaks for the unique image quality of the Imacons that people are willing to put up with this.So is it acceptable to cut strips into single negatives if you have a $15,000 scanner?
That's a real bummer and closes the chapter on this scanner - for me at least. I have no idea why it is so damn hard to batch scan a whole 120 film, with a scanner that has already some form of transport mechanism. Even the Coolscans supported this only poorly and only for 35mm films :angry:
........
I don't mind a preview/readjust/scan work flow. It may not be trivial to build a transport mechanism for roll film but neither is building a scanner head.1) 120 film has no sprockets to make sure each frame is consistent. Even med. format cameras have trouble with this so exposure frames are often not consistent. So this would require some kind of pre-scan and smart software to guess the desired borders for each frame.
2) Needs a rather large additional mechanism and motor, control, software, etc. for this large of rolled film to feed from a spool and then back. Again, very good auto detect software required.
Anyway, I believe it is more expensive and difficult than it may appear - to do it correctly and reliably.
Even those Imacons which can handle only single 6x7 frames are in that price range, so the transport mechanism should not be the reason for their high cost.Some facts to consider. Both Nikon and Minolta had very good sub-$2000 scanners for med. format film. Neither one offered true batch med. format roll film scanning. Both models are no longer made, presumably because they were no longer profitable at this price point. The next option up in price range today: Imacon/Hasselblad now makes just 2 models that offer some batch film scanning options. The basic model is about $13,000 the advanced model is about $20,000.
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