ORWO is still alive and makes strictly b&w film, both still and motion picture, in a tiny little corner of a vast plot of land that used to be the Wolfen Agfa Plant. They may show color on their website, but that is not made in house.
(note: I now see in google searches that there are claims that all the still film is being made by Illford -- don't know for sure)
http://www.filmotec.de/English_Site/english_site.html
As I was told by the Managing Director, Ranier Redman and Frank Bohme, their physicist and marketing director, all the emulsion formulas are modern and NOT revamped AGFA emulsion recipes; which can be a good or bad thing depending on how you think!
I have used their DP3 Panchromatic Fine Grain Interpostitive motion picture film in 35mm to minimize dichroic fog and colored deterioration stains on the restoration of "The Man from Planet X" and Val Lewton's "Cat People", to name only a few.
On "MFPX", the original camera negative had developed a dichroic fog on certain sections of the negative that was yellow in color (blocking blue light), so when we printed it on the ortho 2302 Print Stock, the all but invisible stain printed almost solid black! Quite confusing at first, until I caught a flash of yellow out of the corner of my eye while examining the negative to try to find the cause of the printing error. We retested the negative for DP3 and exposed the interpositive using yellow light and the stains largely disappeared.
We could NOT use Kodak 2366 Fine Grain Interpositive stock, as it is strictly orthocromatic.
It is a good stock; it only runs a bit "hotter" than similar Kodak stocks in Kodak chemistry and has a more classic grain structure than the T-grain stocks (bit clumpier grain).
Sorry for wandering off topic...
