Orthochromatic Film at night?

Signs & fragments

A
Signs & fragments

  • 4
  • 0
  • 41
Summer corn, summer storm

D
Summer corn, summer storm

  • 1
  • 2
  • 44
Horizon, summer rain

D
Horizon, summer rain

  • 0
  • 0
  • 46
$12.66

A
$12.66

  • 7
  • 5
  • 197

Recent Classifieds

Forum statistics

Threads
198,819
Messages
2,781,289
Members
99,714
Latest member
MCleveland
Recent bookmarks
2

waynecrider

Subscriber
Joined
Feb 8, 2003
Messages
2,574
Location
Georgia
Format
35mm
Has anyone used it for night exposures? I know it's not red sensitive which would allow me to cut it up for 4x5, 2x3 or roll it under a red safelight maybe for pinhole stuff. Does anyone know if or how reciprocity plays a roll in long exposures at night. My Bergger should have a speed of about ISO 12 to 25.
 

htmlguru4242

Member
Joined
Aug 9, 2005
Messages
1,012
Location
Eastern NC, USA
Format
Multi Format
Hmmmm ... that's an interesting quesiton. I ahave neveractually tried this, and I don't know anyone who has, but it may work. There are two problems that i can think of. First is the fact that orthochromatic films tend to be a little slower than Panchromatic films (or, rather, fast ones are not really prevalent), but this shouldn't be a moajor issue. Second, and most importantly, is that most of the light at night is in the orange, red and infrared regions. There is almost no UV, and very little blue and green light. The exposure times would be VERY long, but it can probably be done.

As to pinhole stuff, it'll work great during the day, but a night, I have no idea if you'd even get an image...

Try it though, we'd be nowhere in photography (not no mention in every other field) if people didn't experiment. So play with it and see what you can do.
 

Donald Qualls

Subscriber
Joined
Jan 19, 2005
Messages
12,294
Location
North Carolina
Format
Multi Format
Most of the natural light available at night is in the blue wavelengths (which is why yellow driving glasses are disrecommended for night driving), so the film should show a speed gain relative to its daylight speed. How much? Sorry, you'll have to test that for yourself. Artificial street lighting, which is almost all sodium vapor with very little mercury vapor or fluorescent and only a smattering of incandescent, will tend the other way; sodium light is almost invisible to ortho film, giving a huge speed loss under yellow street lights. How much? Sorry, you'll have to test for that, too.

For reciprocity, I'd suggest treating it as a "3 for 2" film (same curve as Plus-X and Tri-X -- for every stop change, triple rather than double exposure time) starting at one minute, and test from there -- the stuff doesn't show much if any reciprocity failure when exposed under an enlarger for many seconds, but rather acts a lot like printing paper.
 
OP
OP

waynecrider

Subscriber
Joined
Feb 8, 2003
Messages
2,574
Location
Georgia
Format
35mm
Donald Qualls said:
Artificial street lighting, which is almost all sodium vapor with very little mercury vapor or fluorescent and only a smattering of incandescent, will tend the other way; sodium light is almost invisible to ortho film, giving a huge speed loss under yellow street lights.

I guess this means that there will be very little exposure on the film of light produced by sodium; No light reflection from buildings, tree's etc. If it does register to any extent, then I guess that means the lights won't blow out and the lighting pole itself will show if exposed properly. I look forward to testing this. I guess mercury vapor lights and flourscent in building windows will show.
 

MikeS

Member
Joined
Jan 10, 2005
Messages
222
Location
Newport, TN
Format
4x5 Format
I've done this (use ortho film for long night exposures). One of my pictures in the gallery "Night Snow" (I think that's what I called it).I used Ilford ortho+ film. It has a daylight speed of around 80, and tungsten speed of about 40. That shot was an hour exposure, and I forget the f-stop at the moment.

-Mike
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom