I agree with Ed Sukach. Agfa never made a bad color film. The colors can be as saturated as you like (if you play with them in PS), otherwise they're extremely accurate.
I've shot the 50, 100, 125, 160, 200, 400, 1000. All great in their own way.
In fact, in '98 or so, when shooting recovered Titanic artifacts, I chose the 160 Portrait for the shots. The colors were soft & accurate, but even with certain objects (like an indicator from a boiler) the color was a tad more saturated, but that was fine.
Since Agfa's demise, I've had to go with Kodak 100UC and 400UC. They're the closest to Agfa that I can find (and I've used all the Fuji color films out there, but I just don't like them).
Rolleijoe