Crocein scarlet or Kodak neo-coccine is certainly one approach, builds density slowly, does not drop out tones in one pass like opaque, I would like a jar or two myself, I have an opaque pen in my darkroom. Most of the commercially available opaques are discontinued but I think Pebeo still makes a few types. For large areas Rubylith, amberlith or 3M red tape were used.
OP was looking for a recipe for red opaque similar to the Kodak product, the Kodak stuff came in both red and black and was used by pressmen and similar graphic arts types for masking and fixing "pinholes" in Kodalith (and similar) negatives.
The OP spoke of "stripping film". That was common in Germany and as I indicated is still produced here.
Purchased a roll of 3M 616 lithographers tape - ruby red 12.7mm x 65.8m (0.5" x 72 yards)...AUD$14.00 this will work for bulk masking but still need some opaque red fluid
How about creating an acetate overlay with PS and an inkjet printer?I remember the olden days, when I used to do graphic arts film stripping... we had that red opaquing fluid. It was easy to use and stayed flexible on film and acetate. Far as I know, it's not widely available.
Anyone know of options or recipes? I once heard something along the lines of gum arabic and red dye? Someone suggested acrylic paint, but I think that would just flake and peel. Need something that can handle detailed work.
I have an image that I want to mask on the paper plane, maybe use a lith film positive but it would still need retouching. Fingers crossed, and - happy holidays!
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