you might want to sacrifice a negative or two and give them a light bleaching and refixing
The method is called "reducing". The formulae are easily found in old books:
So what needs to be done in Pioneer's situation if he needs to print in the darkroom?Printing in the darkroom is a different matter.
Interesting -- I can understand a developer-caused speed loss if the film shadows are exposed at the proper amount, but once shadows have been heavily over-exposed, any developer-caused speed loss should be insignificant.
"Speed-loss" -- a reduction in the ability to render shadow detail.
YDMD (your definition may differ)
I finally developed that over-exposed roll of Delta 3200 I've been talking about. Though I was tempted by the Rodinal (great little video) in the end I selected D-23 1:1. I developed the roll for 7.5 min @ 72F using continuous agitation for a minute then 7 agitations each minute after.
AND IT WORKED! I have to scan these to see how the shadows and highlights turned out and check the contrast, but the negatives look decent. I really have something I can work with now.
I'll try scanning a few tomorrow to see how they turn out but I also think I can enlarge and print a few of these as well. This may actually turn out to be fun.
I don't think I can adequately convey just how discouraged I felt when I opened that camera and realized that, instead of a roll of Velvia 100, I had actually been shooting a roll of Ilford Delta 3200. None of these shots are really that critical but neither were they "throw-aways" either.
Everyone here has been really great and no one made me feel like a total idiot for forgetting what film was in the camera, though of course I was
I want to thank everyone for all the suggestions and encouragement. I'll get some scans up when I get a little time. Thanks again!
Thanks for following up with your results. Of course you still have to reshoot your photos because no developer will give delta 3200 the colors you were expecting.
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