You need ONE controlled film test to understand how your film responds to exposure and development. Any attempts to short cut this procedure through trial and error are a waste of time.
Anyway, that's not the OP's problem. His film is already developed. He is looking for advice how to work with what he's already got. So he is left with negative intensification, changes in print processing and print manipulation.
Porting this from another thread to avoid a hijack:
Ralph, I'm curious about this. Can you elaborate? I can't imagine that 36 frames could tell you everything you need to know about various permutations of exposure and development time and other variables. But I may be misunderstanding what you said, or missing something else. I make controlled tests a habit (one learned the hard way working on critical software products), it's the "ONE" part that I'm unclear on.
One test, involving six sheets or rolls of film are enough to determine the development and exposure indices (EI) to cover all contrast situation. A step tablet is photographed once onto each sheet or roll of film at constant exposure. The sheets or rolls are then developed at five different development times and results evaluated and plotted.
Six exposures, six developments and never in doubt again!
To noumin: my guess at this answer -
the exposure would first be determined with one roll of film, exposed at 5 speeds (box speed, 1 and 2 under, 1 and 2 over), developed at recommended development time. Evaluation of the shadow areas (for the most part not affected by development) will show the best exposure. In addition to the step scale, I would do some of normal scenes, for a practical evaluation.
Looks like there's been a hole in my reading so far. Thanks for the tip... any pointers to a good resource for more details?
...I don't know what type of system Ralph uses but I would suspect it is not all that different from standard BTZS testing...
No. You take a picture of a transmission step tablet, such as the one from Stouffer (attached). This way you have ten exposures on one frame! The other benefits:
1. fine increments of 1/3 stop
2. no deviation due to shutter or aperture inaccuracies
3. no deviation due to illumination fluctuations
4. heavily reduced testing time and effort
Thanks for the pointer (in the image caption). I'd casually looked for exposure targets and only found things over $200.
One question, though. How do you take a picture of the transmission tablet? Project it on a white surface and take a picture of that?
You need one of these 5x4 Step Tablets - Dead Link Removed
Martin
Perhaps my question was poorly phrased.
I have a film I want to test, and I have this calibrated transparency. What do I do then?
Taking a reflected light picture of a transparency seems of little use. So do I put it on a light table? Project it onto a surface? Contact print it onto the film?
Get a 4x5 transmission step tablet (31 steps), tape it to a window or small piece of milky glass and photograph it. Alternatively, get a step tablet in your film format, mount it into a slide copier, and photograph it that way. Make sure your light source matches your type of photography. I suggest to use daylight or flash for the test. CFLs, fluorescent and incandescent bulbs have a different color temperature. The test results would not be applicable for daylight and flash photography. Set the exposure for the middle gray steps. Roll film users bracket to have a few extra and data beyond the ten stops of the step tablet.
ralph if you have a 4 x 5 31 step tablet is there any reason not to put it on top of the film you are testing and expose it on zone ten using a white back ground.
ralph if you have a 4 x 5 31 step tablet is there any reason not to put it on top of the film you are testing and expose it on zone ten using a white back ground.
Mitch
As cporter already said, that works fine for the first 5 exposures to do the development test, because we after relative exposures, and Phis Davis did it that way, but it has one draw back: camera and lens flare are ignored. If you do it in-camera, you get a more realistic test.
The 6th test needs to be done in-camera, because you need to be able to relate the results back to ISO to get a usable EI.
Ralph,
Just wanted to make sure I was clear----what I was describing to Mitch were tests inside the camera for effective EI and subsequent exposures for development times. I simply put a 4x5 density scale tablet on the emulsion side of the film for all exposures, then slide both into the film holder, then photograph the target. I'm a firm believer of using the in-camera method with the tablet.
Thanks for the clarification. What an ingenious concept!
How do you make sure not to focus onto anything?
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