One camera, one lens...

Joined
Mar 26, 2011
Messages
733
Format
35mm

Vendor in Sanbusco Market pen store, Santa Fe, NM: Can I help you?

Me: Just shopping.

V: You a collector?

Me: Nooo, not at all.

V: How many pens do you have?

Me: Two.

V: You're a collector.


s-a
 

jimmybuzaid

Member
Joined
May 23, 2013
Messages
23
Location
NYC
Format
35mm
I always have carry one camera and one lens. And I never switch lenses, because I only have one for my N65.
 

Paul Glover

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Joined
Jun 26, 2013
Messages
74
Location
Salem, VA
Format
Multi Format
With the 35mm gear I tend to put whichever lens I felt like using that day on, sling the camera over my shoulder and go. 3 out of 4 times it's the 50/1.4. It's rare that I'll carry multiple lenses.

My favorite results lately have been with the Yashica A with its fixed 80mm, which I'd consider to be my usual one-camera-one-lens rig. That, plus #8 and #25 Kodak series V filters and the old Luna Pro F, and I'm generally happy. I seem to get better results when I arbitrarily limit my options.
 
OP
OP

batwister

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Joined
Sep 4, 2010
Messages
913
Location
Midlands, UK
Format
Medium Format
Update: one camera, two lenses

Picked up a 75mm for the Pentax 67, which I feel is the perfect focal length for this camera - the 105mm being a little limiting at times. The 75 still isn't as wide as I'd imagined, but just about right for straight photography - I'm sure the 55mm is too wide. I do find it strange how the 67 has a more restricted field of view than the Hasselblad.
 

baachitraka

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Joined
Apr 6, 2011
Messages
3,571
Location
Bremen, Germany.
Format
Multi Format
When I went to Paris last year, my kit was a 1n + 24mm f2/8. Good choice for walking around a city with narrow streets.

I personally feel 35mm is more intimate in wides like 85mm in teles. Sometimes, I use 28mm too.

Of-course, Paris may need 24mm at-least to cover Eiffel.
 

blansky

Member
Joined
Nov 6, 2002
Messages
5,952
Location
Wine country, N. Cal.
Format
Medium Format
I think one lens is a great exercise. It forces you to see differently.

If you have a comfort level with a certain lens you should make a habit of taking only something else.

If you like wides, then take only a telephoto.

It can force a scenic photographer to start to see tighter closeup and visa versa.

When I did darkroom work and had say, a 20x24 set up, I would make a test prints with just 8x10 to get the exposure and would have just a tight shot of the face. And I thought, hmmm that 's pretty cool.

It taught me to start to shoot tightly on the face occasionally, which is something I never did before.

It can elevate you work a lot because your first thought is often to take a rather mundane shot of things, and close cropping can open a whole new world of interesting work.
 
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