They have been glued with special heat resistant cement (at least that is what they claim). I doubt that normal epoxy will last very long so close to the lamp.
They are probably hesitant to sell them unless they can be confident that the purchaser has the technical ability and knowledge necessary.Their website doesn’t list it for sale, so I assumed they don’t sell it. I suppose I can ask them, but I figured I’d ask here if anyone else had gone down this path.
When I repaired mine I believe I used silicone glue.
How about a surplus sales business like American Surplus? There a few glass suppliers out there.
https://www.google.com/search?q=dic...cAhUC54MKHUcQAkgQsAR6BAgBEAE&biw=1266&bih=716
Correct me if I am wrong, but didn’t those heads use dichroic filters? Not the same as a camera filter. If the correct part is $100 and available, why not just buy it? Then everything works as intended. We’re spoiled with the ridiculously low prices of old darkroom stuff.
There is glue for cementing glass even standing up to 1500°C.I don’t know what temp things get to but you can easily find adhesives good up to 300C, and probably higher.
That’s kind of the key. I posted hoping someone else had been down this path before me, but from the responses, it seem s unlikely. I assume the color is probably standard—after all it is part of a set of CMY filters, however the darkness/strength/absorption (or whatever the right term is) would be critical to making the numbers on the lamphouse continue to mean the same thing.but you need to figure out what the light wavelengths the original covered
Just re-attaching the existing filter.We’re you just reattaching, or did you find a replacement filter?
I like this idea. Lighting gels stand up to heat reasonably well for awhile. And as ic-racer points out you don't need exact filtration-- you're going to dial in whatever is needed to get the contrast/color you want anyway.Just re-attaching the existing filter.
You don't need an exact matching filter. Any yellow CC filter should do for either B&W or color, unless you are planning on reproducing existing prints with notes on filtration.
If you are on a budget, get a 20"x24" sheet life-time supply of Rosco 4530 Yellow for $7 and cut a little square. Replace it when it deteriorates.
Should be something like 85% passage 550 to 750nm for the yellowThat’s kind of the key. I posted hoping someone else had been down this path before me, but from the responses, it seem s unlikely. I assume the color is probably standard—after all it is part of a set of CMY filters, however the darkness/strength/absorption (or whatever the right term is) would be critical to making the numbers on the lamphouse continue to mean the same thing.
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