have you been to harry taylor's website classic-enlargers ( http://classic-enlargers.com )
it has EVERYTHING you may want to know about omega enlargers.
the d3v requires different rails and cones depending on the format (it is auto focusing ),
there is also an aux condensor lens in the head. the d2 also uses lens cones but no rails. make sure if you get one of
these enlargers it includes the additional lens ( condensor ) some may disagree, but it really won't do as well with smaller formats without it.
if you can find an auxillery focusing attachment ( lens cone with bellows used for making jewel prints ) you don't need additonal cones or rails
you can just use that .. ( that's what i do ). for 35mm you will need a 50mm lens, 90mm for 120 and for 4x5 either a 135 or 150.
have fun !
john
Nor will he be able to purchase anything.hi mike
the site is still up, and i am certain the OP can search for information on the enlargers.
he just won't be able to get the services harry offered/ questions answered, unless he has a ouji board !
john
I have very recently been told that the D3V is impractical for home use and hard to get parts for as the cones are not interchangeable with the other D series comparators. it seems that you might disagree. please explain.If you can get an autofocus D3V for the same price as an old D-II (no elevating crank, just push-pull and no DV head) go for the D3V!
- Supposedly, Classic Enlargers has closed with the demise of Harry Taylor. I thought his daughter was going to run it but maybe not. The D3V was reputed to be Harry's favorite enlarger.
- The D3V is a nice machine, and the auxiliary bellows makes it a great machine. But when using the aux. bellows the autofocus does not work, not a big deal, but the AF is nice, works best if all your easels are one inch high, I use a piece of plywood under my shorter easels to get the height to 1 inch.
- I have four tracks and setups, enlarger will only accommodate three tracks at a time, I find I rarely use the 35mm track and flat lens board, so my usual configuration in the machine is 75/105/135.
- The AF is not super precise but keeps you in the ballpark as you raise and lower the head.
- With big enlargers (and Omega D-series enlargers are BIG) I find myself using a 75mm lens for most 35mm enlargements, small prints are a pain with the head so close to the baseboard, I can always switch out for a 35mm lens if I need more magnification.
I have very recently been told that the D3V is impractical for home use and hard to get parts for as the cones are not interchangeable with the other D series comparators. it seems that you might disagree. please explain.
KHB is definitely your friend: http://www.khbphotografix.com/omega/Enlargers.htm
I should get a commission.
In my opinion the D3/D4 is no harder to use or support than a D2/DII, most often the D3 you buy will already have focusing tracks and cones supplied with the machine, the lenses might be missing or have moved on when the original user "upgraded". Mine came with 3 tracks a "special" for 50mm lens, a 75mm track and Kodak 75mm and a 135mm track with an Optar. I bought a flat board and mounted a 50mm Nikkor, upgraded the 75mm lens, bought a 105mm track (that was hard to do at the price I wanted to pay, bought the right cone for the 105mm (Nikkor again), and upgraded the 13r to an Omegar I had laying about. And got the aux. bellows for $5.00 at a swap meet. And I replaced the original head with a DV I got on Ebay. None of it was hard or very expensive.I have very recently been told that the D3V is impractical for home use and hard to get parts for as the cones are not interchangeable with the other D series comparators. it seems that you might disagree. please explain.
If you have the 6 inch condensers you can add the DV box and aux. condenser. All you remove is a spacer in the old head. Finding a good original Omegalite is a good trick, the paint inside the head is very fragile and the real correct lamp is no longer made. An Aristo is the better choice.The D-II is a condenser enlarger which comes with the condensers for 4x5. The 4x5 condensers aren't "great" for 35mm but if it's all you have it will work.
I had a glass cutter create a circular piece of opal glass that fit into the barrel to turn the enlarger into sort of a diffusion enlarger.
There are tons of accessories for it, some easier to find than others. The dedicated condensers are hard to find.
But you won't need the dedicated 35mm condenser lens assembly if you turn it into a diffusion enlarger or change over to a fluorescent-light/type "Omegalite" or Aristo Grid/Zone VI light source.
There's a lot more I could say about it but it remains my favorite enlarger...
There are several on Ebay right now.yup the 50 for 35mm, like the "normal" for the format ...
you need the variable condenser
http://www.ohio.edu/people/schneidw/darkroom/images/enlarger_variable_cond.jpg
not sure how ez they are to find if you have to search for one.
Dear Will,
Find a D5 with a dichroic head and buy it.
Neal Wydra
I have owned a D11 (some different to a D2), for many years and last year added the variable condenser set-up making it a D11V. I am pleased with the result. The D11V is not auto-focus like the D3V but having gotten used to the D11 over the years, I don't miss the Auto-focus feature. Just be sure that whatever you buy is in good condition. Omega Ds will last for a long time as long as they are taken care of.....There is good advice on where to look for manuals and such earlier in this post.....Again, I like my rig, I hope you are as pleased with whatever you buy.....Regards!There is a D11 for sale locally. Would you consider it a viable option compared to the D3V?
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