This is arguably what should be done to dispel any doubt, indeed...Have the camera checked with all the lenses. It might be one adjustment or a complete CLA.
Uniformly lit surface. Tomorrow I might try with a grey card...Were you taking readings from a grey card or other uniformly lit surface?
Yes, I used the spot metering and not the center weighed to make sure the wider area was not the problem. I don't have a stand alone meter but I tried to use a meter app with my smartphone. Not sure about the reliability of it, though.The default metering is center weighed. The 28mm will be metering over a wider area which may influence the results.
Maybe try spot metering the same area and see whether they are both the same. If not, I would suspect the 50mm lens.
Also, if you have a stand alone light meter, it would be good to compare the results with that.
I didn't develop the film yet. I bracketed a few shots to compare them when I do it. As regard the different acceptance angles, I assumed this might affect the center weighed but not the spot metering...What was the effect on film?, and have you considered that different focal length lenses have different acceptance angles.
Are you comparing just the in finder meter readings, or are you checking this on film?
How close is your target? The 50mm macro does allow you to get close enough to start experiencing the need to adjust exposure due to change in magnification - the same as the bellows extension adjustment that LF shooters need to deal with.
And if you are fairly close, the wider field of view of the 28mm might be coming into play.
The target was not in the macro range, but thanks a lot for the advice. I have two other Zuiko 50mm, so it's definitely worth comparing them!If there is a problem, it might be with the connection between the lens and the camera, so it would make sense to have both checked.
Do you have access to another 50mm lens? That might help eliminate the acceptance angle factor.
I’ll be damned. You’re right. Other lenses say f/2.8 but the 50 f/2.0 macro says f/4 on my OM-3 spot and average on a gray card.
Maybe it’s 2/3 stop difference but it’s real.
Inside the lens, the aperture ring interfaces in two places that can be out of adjustment.
1) The aperture ring communicates the aperture to the camera mechanically during metering.
2) The aperture closing lever communicates with the aperture ring to set the correct aperture during exposure.
Removing the wrong screw when disassembling a lens can destroy those critical alignments.
You can check with another lens of the same focal length. Dial in say f8 on both and compare the position of the levers which transfer the info to the camera. This must be the approximatly the sameThanks a lot for the info. Unfortunately I do not have the competence to check myself if something is wrong there.
You can check with another lens of the same focal length. Dial in say f8 on both and compare the position of the levers which transfer the info to the camera. This must be the approximatly the same
on both lenses.
Ulrich
This is arguably what should be done to dispel any doubt, indeed...
Uniformly lit surface. Tomorrow I might try with a grey card...
Today I was shooting with a Zuiko 50 f2 Macro, and I got suspicious about the values the camera meter gave me. In my opinion, it was underexposing of about 1 stop . I changed the batteries to make sure they were not the cause of the problem (I replaced them a few days ago) but I was given the same values. Then I changed the lens, replacing the 50mm with a 28mm, which was CLAed recently. This time I was given -1 stop
I'm unsure, but are 4r36 and Bill Burk not actually saying things that are opposite to each other?I’ll be damned. You’re right. Other lenses say f/2.8 but the 50 f/2.0 macro says f/4 on my OM-3 spot and average on a gray card.
Maybe it’s 2/3 stop difference but it’s real.
I'm unsure, but are 4r36 and Bill Burk not actually saying things that are opposite to each other?
Can 4r36 express the situation in the same way as Bill Burk? If the OM3 says the correct exposure with the 50mm macro is f/4, what does it say the correct exposure is with the 28mm - f/2.8 or f/5.6!?
Could the 50mm f/2 macro lens be so magical that its T values are a whole stop more efficient than its f/stop values?
Maybe that is why it is so expensive on the used market!
Could the 50mm f/2 macro lens be so magical that its T values are a whole stop more efficient than its f/stop values?
Maybe that is why it is so expensive on the used market!
The default metering is center weighed. The 28mm will be metering over a wider area which may influence the results.
Maybe try spot metering the same area and see whether they are both the same. If not, I would suspect the 50mm lens.
Also, if you have a stand alone light meter, it would be good to compare the results with that.
The all the Olympus camera i ever owned had the meter reading taken off the shutter blind which was a type of matrix pattern of black and white squares.
The all the Olympus camera i ever owned had the meter reading taken off the shutter blind which was a type of matrix pattern of black and white squares
The OP isn't metering and then exposing film. The OP is speaking of the reading available through the viewfinder. Even the cameras that do offer off the film metering - like the OM-10, OM-2 and OM-4, also have a separate metering system that feeds the viewfinder display. The OM-3 might as well, because I believe, but need to check, that it also has off the film flash metering.Obviously you just came in touch with cameras with electronic shutter. The cameras with mechanical shutter, OM1 and OM3, lack this property.
Ulrich
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