I will mainly be using it for shooting 2 people to small groups
Your choice of the stylus Epic (mju) shows that you want low volume camera.
To gain control of the aperture, consider a low volume model with aperture-priority auto-exposure. As for instance:
-) Olympus XA
-) Minox 35 EL (or a later model with aperture priority)
(However the XA is said to be more reliable than the 35.)
If you are good at guessing distances (easy to train) or use a camera with a rather wide-angle lens you typically do not need small apertures, respectively control on aperture. (Depending of course how you "groups" are built-up, flat row or a flock of people...)
And even if so, you need some understanding of depth of field anyway. (The Minox 35 EL yields a depth-of-field scale.)
A point and shoot though has a fixed lense.
The overall quality of these cameras though don’t compare, so I may need to move up into the contax or similar that have manual or aperture priority
So, If you have decided upon a Stylus Epic I might have one available; PM me if you are interested.
I own the MjuII (Stylus Epic) and the XA3, and find the latter a better all-rounder. For your purposes it's important to focus on one person and recompose, while keeping the shutter half pressed. Otherwise there's a possibility you will focus on the background between two people. Zone focus XA cameras are a compromise, but one that suits their purpose of general snapshot and street photography. The MjuII retains an open aperture longer than most other compact cameras, while raising shutter speed. This necessitates higher speed film if you want a reasonable depth of field.
If you could manually change the aperture, a camera probably would not be considered 'point and shoot' would it?....point-and-shoot camera... but there is no way to actually change it manually....
If you could manually change the aperture, a camera probably would not be considered 'point and shoot' would it?
Interesting observation, as program automation with such cameras typically is kind of enigma to us, unless one does a test on this. What likely we should actually do.The MjuII retains an open aperture longer than most other compact cameras, while raising shutter speed.
For this purpose is this camera not recommended?
The MjuII/Stylus Epic had an exposure chart. Had one from new, mine succumbed to a sticky focus mechanism a year or two ago, a not uncommon fault apparently. Someone posted the diagram on here if I recall correctly. The prices they sell for currently is silly, but the market (naivety and hype) decides these things.Interesting observation, as program automation with such cameras typically is kind of enigma to us, unless one does a test on this. What likely we should actually do.
The MjuII/Stylus Epic had an exposure chart.
Where is this exposure chart found? I have the instructions for the mjuII but cannot find anything that looks like an exposure chart.
Thanks
pentaxuser
It has been posted somewhere on the internet in graph form, not enough time to Google at the moment. In support of what I said, a quote from this forum on the camera:Where is this exposure chart found? I have the instructions for the mjuII but cannot find anything that looks like an exposure chart.
Thanks
pentaxuser
Thanks Les for the link and blockend for the quote from the forum and for trying to recall what the article was. It was illuminating. I was just a little surprised that the author didn't mention the difficulties or near impossibility of using filters with the camera for b&w films.
pentaxuser
That's the main reason I moved to zone focus cameras like the XA3. Most AF point and shoots of the era were laggy, and the delay varied from annoying to virtually unusable. The mjuII was far from the worst, but still didn't lend itself to spontaneity especially when default to flash and the off timer are taken into consideration. Earlier P&S cameras were only limited to how fast you can turn the wheel/wind the advance lever.The other thing I think I have noticed is what appears to be a lag between focusing, pressing the trigger and the shot capture.
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