I have a series Vl polarizing filter that I would like to use on non-slr cameras. I seem to remember that you turn the pointer to point toward the sun but am not entirely sure. Does anyone here use or remember using them?
The proper position for the rotating ring (with the dot) is as you say, but isn't the effectiveness of the filter also dependent upon the position of the other (rear) ring, which would be determined only by screwing the filter onto the lens threads?
I have a series Vl polarizing filter that I would like to use on non-slr cameras. I seem to remember that you turn the pointer to point toward the sun but am not entirely sure. Does anyone here use or remember using them?
Some clarity (for me), please. My understanding about how polarizers work is that there are 2 pieces of glass, with "lines" or some treatment that controls light passage, or something like that, owing to the rotational relationship between the two pieces. The proper position for the rotating ring (with the dot) is as you say, but isn't the effectiveness of the filter also dependent upon the position of the other (rear) ring, which would be determined only by screwing the filter onto the lens threads? In other words, if you hand-hold to view, then mount the filter onto the lens, how do you know that the position of the rear ring, when bottomed out on the thread, is the same as when you held up the filter to your eye?
I use Leica M's, and they make a contraption (which I have) that mounts to the lens, then rotates back at 180˚ to place the filter in front of the viewfinder. When you find the sweet spot, you rotate back to in front of the lens (implying that a 180 position is the same) to shoot. Why this trouble if the position of the rear piece doesn't matter?
There are two types of polarizers.
One is a single element, the second is two elements.
I am speaking to the two element filter, which I prefer and have the most of.
Its also possible to easily find the vertical point/apex with a single element polarizer.
Simply rotate the filter before your eye and once it's found, note the top of the filter, keeping it aligned at 0° and, postion a snug rubber band or an "O" ring, with a narrow, but clear marking in the vertical.
Again, screw the filter in as far as it'll go, with the marked vertical in it's found position and, tack filter to the lens as before.
One thing to keep an eye on, is if the front barrel of the lens, which the filter is attached, rotates when focused.
This is for BOTH TYPES, which will require a repositioning, on the barrel, in the final vertically presentation, when focused.
Tack putty is still a great option to hold them ngs put.
IMO
PS: An "O" ring can be cut with a sharp razor, have it's excess of what is needed for a snug fit on the filter ring and the parted ends simply super glued back together
Single element polarizers are not very effective compared to the two element ones.
There are two types of polarizers.
One is a single element, the second is two elements.
I am speaking to the two element filter, which I prefer and have the most of.
...
I was referring to linear polarizers (with a single polarizing element), not circular polarizers (which combine a linear polarizer with a quarter-wave plate). I believe that the OP was also referring to a linear polarizer. In both cases there is only one rotating part, which is what I called the "element".
In my understanding, if you are shooting film with a manual focus camera, a simple linear polarizer is fine. If you have an autofocus film camera or a digital camera, then you need a circular polarizer.
To use a polarizer on a non-SLR, as a number of posters have explained, simply look through the filter with it off the camera, rotate it around its axis to get the effect you want, noting its orientation, then put it on the camera in the same orientation.
The only times in my experience where you have two separately rotating glass elements is with variable ND filters and variable color filters, such as my red-to-yellow filter.
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