I love old Nikon glass; I just love the small imperfections and how that adds character to the rendering. That said, I wouldn't buy non-AI anymore, but I also did that to have it converted. How do you feel about old Nikon glass?
All my favorite photographers, from Henri Cartier Bresson to A. Adams, Eliot Porter, W. Eugene Smith, … all photographed with vintage glass. All of them.
And slow films. No autofocus. And primitive flash, if any at all.
Their work speaks for itself.
Do I really want to see every pore, every wrinkle and skin imperfection on a portrait? Definitely not.
Does a good image merit always perfect focus? Toscanini conducting his last times. Soldiers landing at Omaha beach. These weren’t sharp images. But they’ve made a tremendous impression on our collective awareness.
About Nikkor glass…. Love it. I’m a huge fan of the Non Al Nippon Kogaku. Yes, exposure is tricky. Or perhaps I should say, slightly lengthier. Expose at full open aperture, and adjust as you stop down….
Or just take a meter reading. Easy enough with a Sekonic.
Camera of choice with these old lenses: Df Nikon.
We are living at a wonderful time, when all these legendary lenses are still available, and very modestly priced. And thanks to Nikons vision and craft, they can be used and appreciated on cameras created nearly 70 years later. And they bring character, and vibe to the often clinical and perfect new photographic cameras.
Quite astonishing!
Kind regards, Ralph!