Yes, Pentacon Six TL (@58:12), but that was obvious. I found the studio lights more interesting.
Asahiflex. Early version still with WLF. Thank you.
I was completely unaware of this model and thus thought in a complete different direction (european make).
I assume the one and only movie where not only a Linhof Technika 70, but also several(!) Linhof 220s show up.
https://www.youtube.com/watch?v=TMcAMZBkN8U
(In the action scenes from 43min onwards. Scenes partly filmed a few hundred meters off the Agfa plant.)
Clint Eastwood used a motorized Nikon F in “The Bridges of Madison County”.
I watched the original, uncut, Japanese version of Godzilla (1954) recently, which featured several scenes with a scrum of press photographers using press cameras properly, changing the flashbulbs after each shot (something that seems to be forgotten in more recent films). One prominent one looked to have kind of a square, untapered bellows that popped out with folding struts on the side. Also a few other characters were carrying Japanese rangefinders of the era.
Minox B in "On Her Majesties Secret Service".
Nikon F or F2 which also was a rocket launcher with antennae in "The Man with the Golden Gun".
I seem to remember Sean Connery using a Rolleiflex in one movie.
Praktica Six producing Polaroids (somehow... by chantaging girls):
Beginning of the End is a classic sci-fi of 1957 -- a woman reporter uses a Speed Graphic and a film pack fairly well, though perhaps the flash bulbs were not really needed for day light photos. This movie is where the giant grasshoppers attack Chicago. The reporter plays a main role in the rest of the film but does not take many photos once the action (finally) starts.Speed Graphics are in many old B&W Movies, and movies trying to portray that era. Seems like a lot of work for a news photographer handling 4x5 holders and flashbulbs.
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