- Joined
- May 24, 2010
- Messages
- 80
- Format
- 35mm
How's this? Some quick work on my darkroom grain manipulator enlarger reel developer fixer easel tool....
I'm going to play devil's advocate and ask, have you considered that it might be your fault? The dust on the neg is obviously a scanning issue. But Africa is less-than-ideal for keeping dust and sand out of your camera and I could easily see some getting inside and on your pressure plate, which would explain the straight scratches (of course the colour labs machine could do the same, but they might just tell you it's your fault anyway -I know people who have worked in colour labs before and have had a "list of excuses" for why the negs were messed up to cover their ass). If you have negs before and after the trip that are perfect, then obviously it's not your fault, but if you had a roll since at a different lab that comes out like this, you might want to consider cleaning out your camera. It's just a thought, I'm not pointing fingers here. Just something else to think about and consider.
I'm sorry to hear about that. This can be the most infuriating experience. I have a few negatives like that, but in my case, I was processing them and can only blame myself. One thing I noticed is that scanning such negatives
often highlights even the tiniest scratches, but if you optically print it on a diffusion enlarger, most such scratches
will not show up on the print, and whatever is still there can be corrected by a dab of nose grease. If you insist on scanning, wet mounting can also help tremendously.
P.S. Beautiful photo! I hope you can recover it and the rest of the negatives.
First off, it depends on whether they are scratched on the emulsion side or the base side.
If it's on the base, you might recover by putting some fluid on the film. If it's on the emulsion, you're probably screwed.
If you have Photoshop it will be possible to digitally repair the images. As said, the scanner can automatically remove a lot of the damage if you have one with the infrared cleaning option. (AKA: "F.A.R.E." or "I.C.E.") What's left, you can do by hand. It shouldn't take you more than 15 to 30 minutes to do the job if you have a good workflow.
Crop/Resize the image to the desired dimensions then apply the "Noise > Dust & Scratches" filter to the WHOLE IMAGE.
Set the parameters for the filter until you JUST make all the damage fade. Ignore the fact that the rest of the image gets blurry. (We'll fix that later.)
In your "Window > History" panel, click the paintbrush symbol in the left column next to the line for "Dust & Scratches."
Click "Undo" or go back one step in your history via the History panel.
Go activate the HISTORY BRUSH from your tool palate and set it's blending mode to "Darken" and opacity to 100%.
Set a small brush size, as small as you can yet still be workable. (5 to 10 pixels)
Zoom in to 200% of 300% original size and paint out the scratches.
If you have scratches that are DARKER than the surrounding picture set the blending mode to "Lighten" and repeat.
Touch up your work with the "Healing Brush" when you're through so as to blend the pixels together.
With practice, you should be able to touch up a whole image in 10 to 15 minutes. I have repaired damaged Polaroids using this trick and you might never know there ever was a problem if you didn't look REALLY closely.
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