I showed the screen of a Minolta Autocord to someone who asked about the camera while on the sdtreet. A guy maybe 20, 25. He looked down and gasped- 'What a great LCD!!"
Today I loaded up the new-to-me YashicaMat with HP5. It arrived last week and I spent a bit of time cleaning the dust out of the corners and just getting to know it. The shutter timing seems to be right. The aperture seems to adjust well. In short I think everything is fine.
I went outside just to play around with it, nothing serious. When I popped up the hood and looked at the focussing screen I was stunned. I had forgotten how wonderful of a view that is. I played around taking some close portraits of my daughter and was in awe of the '3D' effect on the screen. She was captivated by it as well, to say nothing of how 'cool' the camera is.
I can't wait to develop this strip and see what it looks like.
I showed the screen of a Minolta Autocord to someone who asked about the camera while on the street. A guy maybe 20, 25. He looked down and gasped- 'What a great LCD!!"
Today I loaded up the new-to-me YashicaMat with HP5. ... I can't wait to develop this strip and see what it looks like.
If you think HP5 is good try some Pan F-Plus!
HP5 is good. Don't get me wrong. But remember that the YashicaMat was designed when 400 ISO film was not common. When I use 400 ISO film in my YashicaMat, I occasionally find that, on a sunny day, I'm bumping up against the upper end of my camera's shutter speed and aperture limits to get the exposure I want.
Use 100 ISO and you won't have that problem. Further, if you use Pan F, shooting at ISO 50, you'll be down, well inside the mechanical limits of the camera, PLUS with the qualities of 50-speed film on a 6x6 cm negative, your grain will be truly microscopic!
When I put Pan F negatives in my enlarger, even in 35mm, I have a hard time finding the grain through my focusing scope. When I do it with 120 format, grain is truly invisible!
My babies.
The extreme right is an Ikontaflex
Pan F was my favorite ...!
They must be very happy to be with you because they are jumping up and down!
Steve
I finally took my Mamiya C33 out yesterday to do some real street shooting and I had such a blast. I already knew that I liked using a TLR, but it was so comforting shooting street scenes through the wonderful waist level screen. I like taking my time to compose my shots, but pointing my 35mm SLR at people on the street for anything longer than a few seconds just doesn't work too well. With my TLR I can stare for as long as I want into the finder and nobody seems to even notice once they get over the crazy camera.
...I'm hoping the telephoto lenses will make me oven more invisible.
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