dangeresque
Member
Good morning, all -
I bought a Brownie Reflex 127 TLR at an antique shop about two years ago and promptly forgot about it. (It works.) Today, while cleaning it, I was looking at the instruction manual, which recommends Verichrome or Plus-X Pan for available light outdoor photographs. Verichrome is, of course, long gone, and Plus-X has changed over time.
I've narrowed it down to two options: cut down 125PX in the dark or buy Efke 100 rolls. As I understand it, Efke uses postwar EK formulas and therefore R100 may be closer than 125PX to the old Plus-X.
I like Plus-X and swear by HC-110, but I don't want to use modern materials in an antique camera. My idea here is to match my obsolete film to a developer (and paper, if possible) from that era so as to achieve the maximum retro effect. I don't know the history or lineage of DK-50 but it seems like a good place to start. Any thoughts?
I bought a Brownie Reflex 127 TLR at an antique shop about two years ago and promptly forgot about it. (It works.) Today, while cleaning it, I was looking at the instruction manual, which recommends Verichrome or Plus-X Pan for available light outdoor photographs. Verichrome is, of course, long gone, and Plus-X has changed over time.
I've narrowed it down to two options: cut down 125PX in the dark or buy Efke 100 rolls. As I understand it, Efke uses postwar EK formulas and therefore R100 may be closer than 125PX to the old Plus-X.
I like Plus-X and swear by HC-110, but I don't want to use modern materials in an antique camera. My idea here is to match my obsolete film to a developer (and paper, if possible) from that era so as to achieve the maximum retro effect. I don't know the history or lineage of DK-50 but it seems like a good place to start. Any thoughts?