I have ended up with some out of date but well kept 120 E6 film in a deal to get a bunch of other film but, I'm no longer doing E6 developing so I have a "now what" question.
As I see it there are three options:
Sell it or trade it for something else.
Or
Cross process it. I've had reasonable success with this a few times.
Or
Develope as B&W. So I experimented with a roll of Velvia 50 at 50 in WD2D+ for 8-minutes. Got high fog (at least the film isn't clear) and low contrast.
I have ended up with some out of date but well kept 120 E6 film in a deal to get a bunch of other film but, I'm no longer doing E6 developing so I have a "now what" question.
As I see it there are three options:
Sell it or trade it for something else.
Or
Cross process it. I've had reasonable success with this a few times.
Or
Develope as B&W. So I experimented with a roll of Velvia 50 at 50 in WD2D+ for 8-minutes. Got high fog (at least the film isn't clear) and low contrast.
I would second that, if you can process at controlled temp, get an e6 kit, 120 transparencies just like Polaroids are unique and provide one with some handmade experience in an otherwise cold digital world
Fuji slide film is great for cross processing and the resulting negative prints well too,I've found,on B&W paper.This example is rdp iii 100,rated @ 50-someone at the lab did the rest.
Fuji slide film is great for cross processing and the resulting negative prints well too,I've found,on B&W paper.This example is rdp iii 100,rated @ 50-someone at the lab did the rest.