I have a 20x24 trimate processor, which is fine for FB. Processing FB up to 12x16 is easy with a single clip. For larger prints, I've made a jig onto which I slide a clip at each end, so that they are about 16 inches apart.
The hard part is dropping the prints into the companion Washmaster. Unlike the trimate processor, the prints love sticking to the glossy side of the slot. (Why, both sides aren't textured is a bit of a mystery.) When working on larger prints, I remove a divider to make a double-width slot, so that I can quickly drop in the print, and give it a quick wash before moving it to standard-width slot.
I have a 16x20 Nova processor. You CAN use it for fiber paper, but at the bigger sizes, it is possible for the waffle texture of the slot walls to get picked up by the print where it makes contact with the wall during development. I would advise keeping fiber prints at least one paper size smaller than the maximum size of the processor.
I haven't noticed the texture on a straight print, but I have seen the texture appear during a bleach and redevelopment toning process. Maybe moving the print a little during development would minimize this effect. (This particular print was from a large run and I might not have agitated it much if at all).
Does having the slot very clean (not easy!) make a difference?
I'm not sure what the cause is - I've tried agitating regularly throughout the dev cycle, cleaning the devil out of the slot, and so on, but it seems to happen every few prints regardless, and it was only getting worse as time went by. Which coincided with but was not directly contributory to my move to alternative process printing. I haven't used the Nova in probably 3 or 4 years now.
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