A long time ago in what seems like another life, I worked for a Federal gov agency in the photography department. On surveillance, we used Topcon (and later Canon) cameras with modest telephoto/zoom lenses of maximum aperture of f/3.5. This kept the size down to something manageable. Most of the photography was done during daylight hours so we did not need the fast lenses as they would be stopped down anyway in use. For night time we used high speed Kodak 2475 recording film.Whenever there's a scene involving taking photo of someone secretly by law enforcement or private investigator, most of the time the actors use 35mm with tele lens that looks like F4.5 or F3.5 and often without motordrive.
I assume renting a F2.8 lens for a day wouldn't be so expensive considering the movie budget.
So why? Any ex cop or private investigator or movie folks here?
A long time ago in what seems like another life, I worked for a Federal gov agency in the photography department. On surveillance, we used Topcon (and later Canon) cameras with modest telephoto/zoom lenses of maximum aperture of f/3.5. This kept the size down to something manageable. Most of the photography was done during daylight hours so we did not need the fast lenses as they would be stopped down anyway in use. For night time we used high speed Kodak 2475 recording film.
Later in life when I owned a camera store in Las Vegas, Nevada, I supplied most of the prop cameras and flashbulbs used in the movie "Casino". In one scene of two FBI agents doing surveillance, I set them up with a Nikon F and a nondescript lens, probably a zoom (this was around 30 years ago so I don't remember exactly) of f/3.5 - f4.5. And this was not an inaccurate portrayal.
I see. So the ease of handling takes priority. I thought since most take pictures from car/room that they will go with largest aperture just in case insufficient light.
It would be interesting to compare analog to digital usage in today's run of the mill police departments and learn if analog photography is still the most activetly used photographic approach to L.E.O.s day to day surveillance.
There was a 70's (or 80's) UK TV series following the Belgium resistance in WW2, called Secret Army. It was parodied by a series called Allo Allo.
The head Nazi, called Kessler then went on to feature in a sequel (called Kessler), where he had not been captured by the allies & was on the run.
The Nazi hunter was taking covert photos using a Zenit Photo Sniper. First thing was the view through the lens, was certainly noy a Photo sniper.
Second thing for anyone who has ever used a photo sniper will know the pre-charged aperture slamming closed makes the most god-awful noise and any Nazi on the run would here it from miles away)
Needless to say the photo sniper noise was dubbed to the sound of Swiss-clockwork.
As far as I can tell, no police forces around here (in Canada?) are using film any more.
If they come upon any third party evidence that is film based, I expect that they have to hire independent contractors to assist them with it.
The objective was to photograph persons to compose up to at least 50% of the image. It’s funny how one could actually get such better photos. For overt work and searches etc., primes usually used.
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