wiltw it seems like it would but an ideal filter in front of the lens -- tilted or no -- doesn't impact performance.
A filter has no optical power and -- as long as it is in object space -- does not affect the optical performance of the lens behind it. This is primarily due to fact that rays entering a thin glass plate -- tilted or no -- leave at the same angle, so the sum of any non-zero aberration coefficients (lateral color) cancel out to zero.
There are a couple caveats to that: 1) color filters reduce the spectral band passing through the lens and therefore reduce chromatic aberration. 2) surface errors cause a waveform deformation and reduce slightly the performance (the advice to buy a good quality filter is good, quality advice). 3) wedge error induces chromatic effect but practically speaking is negligible.
A tilted filter vs. a non-tilted filter in front of the lens will shift the image as a function of the index of refraction of the filter glass and the thickness, but that's it.
Just keep in mind the filter is part of your optical system, so all the advice about using good quality optics apply to it as well. Use good quality, AR-coated filters so you don't get a 4% back reflection overlaying onto your primary image and manufacturing errors (wedge and surface figure as described above) aren't a concern.
Filters inside the optics or between the lens and image plane are a different story and must be accounted for in the design when possible.