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Actually, there seems to be a big difference in some of them.
I placed bottles of unopened liquid concentrate on my storage shelves for later use, and one brand went totally bad before I could even use it. It was in my hands for less than a year IIRC. The others have kept for over a year in sealed containers.
PE
I recommend a hardening fixer.
I'm cheap like borscht. I don't buy anything I don't have to. I paid 15 bucks for my camera. I shoot arista.edu bulk rolled at 21 bucks a roll, I use pool chemicals to make developer and fixer, I use clothespins with pennies glued to them for hanging my film and I hang it two to a clothes hanger.
It's hard to get cheaper than a Univ. student, me and my GF get excited over name brand Kraft Dinner.
I got alot more crap stuck to my film while I hung it up to dry in my bathroom, and more sediment stuck on it from the rinse water, and just alot more garbage in the emulsion in general.
I've had to go to the five dollar gallon powder envelope from the store. It's just the way it is. No matter how cheap I am, I still can't justify false economy.
For these reasons I recommend a hardening fixer.
What I really need is to find a good recipe for a hardener agent to add to plain old pool chemical supply sodium thio to make it hardening fixer.
Actually, if you want hard film and want to prevent scratches and abrasions, you should pre-harden before development! It is too late by the time you get to the end of the fix.
PE
Hi !
Just my 2 cents :
I've sucessfully used non hardening Ilford fixer (Hypam and it's successor) with films from "the big 3" and also with more "obscure products" from Foma, Efke, Era, ADOX or Shanghai...
I doubt you need hardening fixer for film and paper in 21st century ;-)
This is confirmed by the fact that I was unable to get reticulation on recent films by water temp difference.
Then why put hardener in the fixer?
I'm presuming roll film here, safely esconced in grooves of the reel.
Then why put hardener in the fixer?
I'm presuming roll film here, safely esconced in grooves of the reel.
A print I can reprint, a neg is once.
But then why do some use an inexpensive film? That has always perplexed me. If you think they are trouble free, read all of the comments here and on PN to see film floating off support, pinholes, uneven coatings, and on and on...
PE
Keep the temperature constant throughout if possible.
The drop in temperature in the wash may shock the film
and cause reticulation, or it may slow down the washinng rate. PE
C-41 fixer also works fine with B&W films. It has the advantage of being less expensive than most B&W fixers. (I believe TF-4 is in the same ballpark, price-wise.) If you do your own color processing, you can cut down on the number of bottles in your darkroom by using C-41 fixer for both B&W and color. I believe the C-41 fixer is non-hardening, though.
I missed that one.
Yes, phenyl mercapto tetrazole present in C41 films, and the high iodide (up to 10%) emulsions, can allow the fixer to retain silver in B&W films, or rather it will exhaust the fixer much much faster!
PE
PE, isn't there something in E-6 film as well that contaminates fixer?
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