There are always exception to the rule
It's all within an individual and I did not try to imply digital is easy in order to be of high grade. I was mainly focusing on main stream ways of shooting digital and looking at what was taken long afterwords, because in this sense it is easy to work that way. With film (and never mind alternative processes) one just does not have the luxury of endless clicking. A different and careful thought process is needed to record it as close to intentions as possible, then fine tune it later. The rate of shots taken to shots retained is vastly different between film and digital in majority of cases.
On upgrading gear? I recall a girl, an aspiring photographer, who clearly had a great eye and some high grade shots. He "needed" to upgrade her gear because ... there is a newer one (and she had pretty high grade camera in digital spec sense) but she thought that her photography would get better by doing so. I will say that same was and is happening with any gear, you can see that in discussions, people switching brands all in search for becoming a better photographer, meaning they don't know what being a good photographer means. So here I believe we are in exact agreement, nothing has changed.
I will just retain my belief that shooting digital at a 100 a minute is not same as shooting 5 on film.