well it wouldn't surprise me ... big companies seem to focus on big production and big margins
...I think most of the past work has now been digitized, and fewer pros shooting film. Hopefully it is model specific.
I don't own one yet (will purchase soon, to match with negatives from a Bessa III also going to be purchased soon)
but from what I read in the reviews (respectable sources) it seems that the upper-class Epson flatbeds are better than the dedicated film scanners of few years ago. Not better than Imacons perhaps but better than (or in par with) most amateur / advanced amateur dedicated film scanners. Is that true indeed?
If yes, I think people are going for them. (Just like me!) Those scanners are very nice with many many format options up to 5x7" large format (even larger)... Also, the majority of current film users (who intend to scan later, not average Joe's who are satisfied with 4x6" lab prints) are shooting MF not 35mm, therefore a product like 5000ED doesn't have a use for them. Right?
Loris
that would have to be the 9000 then
not that I've read ...
well for 120 and 4x5 I'm quite comfortable with my 4990 ... I haven't seen anything from the V700 (a friend owns one) to suggest it is a significant or even noticeable improvement over my 4990
my LS4000 does nicely for 35mm and scans over 2200dpi of 6x9 or 6x12 120 film are quite large. I'm happy to send them to people like Bruce Watson for scanning.
I expect that LS-5000's will remain available on the used market for some time
I can get a decent scan of a 35mm original using an Epson
...
well for 120 and 4x5 I'm quite comfortable with my 4990 ... I haven't seen anything from the V700 (a friend owns one) to suggest it is a significant or even noticeable improvement over my 4990
...
I don't own one yet (will purchase soon, to match with negatives from a Bessa III also going to be purchased soon) but from what I read in the reviews (respectable sources) it seems that the upper-class Epson flatbeds are better than the dedicated film scanners of few years ago.
This shows a pretty remarkable improvement for the reviewer:
http://www.photo-i.co.uk/Reviews/interactive/Epson V700/page_9.htm
This shows a pretty remarkable improvement for the reviewer:
http://www.photo-i.co.uk/Reviews/interactive/Epson V700/page_9.htm
Have you noticed that article before? It made me salivate for a V700... Do they BS? (Doesn't seem so to me but who knows?)
I feel that I really need a good scanner to get the most of the perfectly sharp/high resolution negatives I'm (hopefully) going to make with the Bessa III. I don't mind a large file size; since my experience is even if you don't need that large files (I mean for the prints you're going to make), downsampling makes tones much better/smoother. So I always scan at the max. convenient resolution and downsize to print size. (Scan, 0.9 px 50-90% USM, bicubic downsize to target print size 300/360dpi depending on printer and go on from there...)
What do you think?
Loris:
It's a no-brainerGet a refurbished V700 from Epson and a Better Scanning holder with ANR glass. The V700 is a great tool for making proof sheets, and general use scanning for stuff like OCR and faxing, so even if you decide to add a dedicated scanner later, the Epson will still be useful.
This shows a pretty remarkable improvement for the reviewer:
http://www.photo-i.co.uk/Reviews/interactive/Epson V700/page_9.htm
Have you noticed that article before? It made me salivate for a V700... Do they BS? (Doesn't seem so to me but who knows?)
...even if you decide to add a dedicated scanner later, the Epson will still be useful...
cooltouch/Michael:
I have an Epson 2450 and a Minolta Dualscan III. The real resolution of the 2450 is something around 1600dpi, that makes ~67% of the stated resolution.
If your 4990 scanner gives only 2000dpi real resolution then this isn't an improvement over 2450 (in fact it's going back - since the real res./hardware res. ratio is way lower than my 2450, at ~42%) and/or there's something wrong with your scanner (or your particular working style)...
The 2880dpi Minolta scans are way better than my Epson 2450 scans, naturally, because they're real 2880dpi scans.
Now, if V700 practical resolution is the half of the stated hardware resolution then it's OK for me, 6400dpi x 50% = 3200dpi. That makes about 10x enlargement, which is fine for my needs and also reasonable for any film/developer combination I'm going to use. (Mostly Delta 100, new TMax 400 and occasionally good old friends FP4 and HP5 in Xtol and/or Pyrocat MC...) OTOH, with 4990 I'm taking a risk since the practical resolution I need makes ~67% of the hardware resolution. In any case it's always better to have more samples per given area, as long as noise (due smaller micro-sensor size) is under control/manageable.
Phil:
We don't have refurbished stock here in Turkey, I will have to purchase a brand new one. And as I said before I already have an adequate scanner for the alternative tasks you mention, is it still a no-brainer?
Regards,
Loris.
cooltouch/Michael:
I have an Epson 2450 and a Minolta Dualscan III. The real resolution of the 2450 is something around 1600dpi, that makes ~67% of the stated resolution.
If your 4990 scanner gives only 2000dpi real resolution then this isn't an improvement over 2450 (
...
Have you tried the methods which (for example) Sandy has done for testing his scanner? I suggest you try that with your 2450.
...
another thing you may like to check on your 2450 is its responce.
I've compared my 3200 and 4990 here, and while I 'feel' the 4990 handles my c-41 blue channel better I don't really see significant reasons for that in the results of testing against stouffer wedge
dunno
I paid $100 for my 4990 recently ... that it will allow me to scan 2 strips of 6x12 is an asset to me, naturally YMMV
2450.
If one owned a 4990 I would not suggest looking into a V700 / V750 but if I only owned the 3200 I would be looking into it as I can scan strips of 6x9 more easily than with the 3200
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