For the past several years, Nikon Japan has accepted ALL their film cameras for a factory CLA during an annual limited time window.
Unfortunately it is only advertised in Japan and they don't guarantee availability of parts - but they will do their best with what's available to them.
One reason to get an R8/R9 is that they feel totally unique - as well as the incredible feature set. The FM3a feels basically just like a $120 FE2. So don't pick up your bud's FE2 if you just dropped $800 on an FM3a!
One reason to get an R8/R9 is that they feel totally unique - as well as the incredible feature set. The FM3a feels basically just like a $120 FE2. So don't pick up your bud's FE2 if you just dropped $800 on an FM3a!
There's much to be said about consistency in design philosophy. They even fixed Nikon's overreach of disabling metering in the FE2 until film counter to 1.
There's much to be said about consistency in design philosophy. They even fixed Nikon's overreach of disabling metering in the FE2 until film counter to 1.
FM3a - or probably an FE2 because it has less plastic parts (well, I already have two of those).
Why? Lighter and more handy; lens availability and pricing and besides, Leica never really understood how to make an SLR that lived up to the brilliancy of their rangefinder cameras.
Nikon on the other hand ruled the SLR world for a couple of decades and the FM3a has the genes of those heydays.