When released the P was restricted to vetted members of the press, I don't recall if the P was ever available to the general public. As much as I liked the F3P I still regret not getting a Pentax LX, I was very close to the LX, it was the cost of replacing my lens that kept me with Nikon. I had envisioned the LX, MX second body, 28, 50 1.5, 100 and 200, at the time, seemed like too much money.
The alternate viewpoint: go ahead and buy a F3, FE, FE2. Use it vigorously. Eventually the electronics will fail. OK, so what, it served its purpose. After that, buy another body. Some sort of Nikon mount film bodies will be around for many more years.I am not in the market for either, but what I do know is the F3 which is electronic are disappearing of the sales counters because there are no spares for them when they need repairing. The FM2 and all the other mechanical Nikons can usually be repaired to put in a lot more years service. Almost every mechanical Nikon from the Nikkormat right through to the F2 so long as they have not been damaged by ham fisted attempts at repairs before, they will last for years.
Use it vigorously. Eventually the electronics will fail.
Tengo FM y FM2 y son maravillosos. Quería comprar un F3, pero descubrí que su medidor es muy pequeño para leer y que su zapata es muy costosa y difícil de conseguir y que sin baterías solo cierra a 90 si no recuerdo mal, así que dejé la compra. y me quedé con los FM.
Oh and I really like F3 film advance lever, it is buttery smooth. I probably will buy it just for dry firing it
Buttery smooth? It is a light floppy mess with play in the vertical axis due to the ball bearings put in there.
They did this to maximize winding speeds, not for feel. I pretty much prefer the film wind feeling on every other camera I have.
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