I think you are right about who built it. Still, some people say good things. I can get it with the original lens, unused or barely used (I could see no sign of use whatsoever) for $250. I could get a Minolta XG1 for less, and it is clearly more robust, but I am not sure if I like the light meter in the old Minolta. The light meter in the Nikon seemed OK to me. Of course I haven't actually used either of them.It does not have the build quality of earlier models. I believe it was made for Nikon by Cosina.
Thanks for your input here, Frank. Does the F3 have a good light meter? One problem if I can't find it in one of the local stores is that I have bought several cameras online that need extra repairs that the seller don't tell you about. I don't know any local stores with the F3, but now I know that it's worth looking for.
I have 2 copies of Nikkor 35-135 f3.5-4.5 AF Zooms.
Good preforming lens. I do not know about earlier or later versions.
https://www.flickr.com/photos/thirteenthumbs/albums 35mm B&W, 35mm Color, Kodachrome 200, and E IR C41 have images made with one of these lens.
I bought one of the zooms new with an F4s. It developed fungus several years ago which I killed and cleaned but a trace of etching remained. I came across an excellent condition one at KEH at a reasonable price that I bought.Have you compared prints with a Nikkor prime lens of same focal length?
+1. I am happy with the cheap but modern 28-80 AF-D and trading off cheapskate factor (was free!), versatility (both ways: Slower Aperture but multiple FL) and some IQ through distortion and less optimal optical performance.Primes are preferable for best possible quality. Most zooms, especially older ones, trade performance for convenience. Everyone can choose for themselves obviously, but if something is film-worthy, I'm going to compromise as little as makes sense to me.
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