This one goes out mostly to F6 users, but anyone is welcome to share his thoughts, especially DSLR users with similar problems.
I am mostly used to manual focusing by eye anywhere in the frame, without the aid of split-image rangefinders or miscroprisms and i tend to have results that satisfy me. This way i can concentrate on the subject and compose and focus in one fluid motion, without resorting to focus and recompose which may also produce bad results due to field curvature and other stuff....
From the ones i have used, the best screens for this purpose is the Nikon F3 B screen, along with its brighter 'red dot' variant. A similar situation holds for the FE/FE2/FA screens. Due to their coarseness and grain, it is possible to see depth of field at least down to f/1.2 (and f/1.4 for the 'red dot' variant), and while you focus you also have a sense of 'pop' that helps a lot.
On the F6, the focusing screen is optimized for brightness and is very similar to the B3 focusing of the FM3A. I think it only shows depth of field down to about f/2, thus making it more difficult to use with fast lenses and even with slower ones due to the lack of apparent 'pop' when hitting the plane of focus.
Moreover, and especially with fast glass like the 50mm f/1.2, the screen generates interference patterns ('sparkles') as you focus slightly in front of bright areas. Such patterns may give a misleading impression of sharper focus, when in fact you are front-focusing.
What are your thoughts on this? Currently there is no real ground glass screen for the F6. One would have to make it by hand and while i know it is possible for medium format, i am not sure how easy it would be for 35mm where the screens are slimmer and have to be cut quite exactly.
This is my only real gripe with the most outstanding camera i have ever used.
I am mostly used to manual focusing by eye anywhere in the frame, without the aid of split-image rangefinders or miscroprisms and i tend to have results that satisfy me. This way i can concentrate on the subject and compose and focus in one fluid motion, without resorting to focus and recompose which may also produce bad results due to field curvature and other stuff....
From the ones i have used, the best screens for this purpose is the Nikon F3 B screen, along with its brighter 'red dot' variant. A similar situation holds for the FE/FE2/FA screens. Due to their coarseness and grain, it is possible to see depth of field at least down to f/1.2 (and f/1.4 for the 'red dot' variant), and while you focus you also have a sense of 'pop' that helps a lot.
On the F6, the focusing screen is optimized for brightness and is very similar to the B3 focusing of the FM3A. I think it only shows depth of field down to about f/2, thus making it more difficult to use with fast lenses and even with slower ones due to the lack of apparent 'pop' when hitting the plane of focus.
Moreover, and especially with fast glass like the 50mm f/1.2, the screen generates interference patterns ('sparkles') as you focus slightly in front of bright areas. Such patterns may give a misleading impression of sharper focus, when in fact you are front-focusing.
What are your thoughts on this? Currently there is no real ground glass screen for the F6. One would have to make it by hand and while i know it is possible for medium format, i am not sure how easy it would be for 35mm where the screens are slimmer and have to be cut quite exactly.
This is my only real gripe with the most outstanding camera i have ever used.