This question's answer is not going to provide riveting and important information for those who practice analog photography as a routine endeavor. However, I find the question interesting because, here, we are delving into the inner sanctum of a real paradigm of perfection with regard to clockwork mechanisms. A viable answer is certainly going to be interesting to explore, but, even more so will be the interest garnered from the reasons for giving the answer which you offer.
Ultimately, which would you choose to own? Which is more reliable for the decades to come? The Nikon F2 or the NIkon FM2?
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In any case, I think the FE2 is a better camera than the FM2; it has a well implemented auto exposure system. And its electronics have been proven to be reliable. And the FE is perhaps better solely due to being able to mount non-ai lenses.
The electronics failed in my FE2 - the shutter speeds occasionally would be very different than indicated (1/2 sec in bright sunlight when it should have been 1/500 etc), and I've seen this in a couple of others.
I had FM, sold it. I have F2, did not sold it. It is build like a tank. And it has 100% viewfinder, that is important to me because I print full frame on B&W, and on those lesser bodies you have like 90-93% of the view, so you get more on your negative than you see, and this can be frustrating (to me).
Same here. I had the FE and sold it, kept the F2. I also had a FM2, promptly sold it.
The FM/FE/FE2/FM2 have better hand ergonomics than the F2, and are lighter; however the viewfinder is very inferior and the cameras (at least the FM/FE) show some vibrations that are absent in the F2.
Additionally the build quallity is much higher on the F2 and the Nikkormats.
Just out of curiosity as a non Nikon user but what is the evidence that the F2 is more robustly built? NB This question seeks genuine information and is not a challenge that the evidence doesn't exist
Thanks
pentaxuser
F2's for me. OP says that there are no places to repair them. What happened to the Asian guy in England?
I honestly do not recall ever saying that.F2's for me. OP says that there are no places to repair them. What happened to the Asian guy in England?
Of course, a F2 900gr body vibrates just the half than a FM2 450gr body with the same impact, also it will be more steady in the hands. Pro cameras always have weighted more, anyway with the FM2 we can use the pseudo-MLU (mirror lock up) when on tripod, from the self-timer.
If we want we may add weight to the FM2 by attaching the MD-12 motor drive....
I almost cried when I parted with my F2. One of the biggest mistakes I have ever made. My first wife being the biggest mistake I ever made!.
I have used almost all of the Nikon professional film cameras and the Canon F series.
I wonder if the inability and need to move the eye to see the entire screen is because of the 100% image?
I did not know this: Was this generally believed to be true before the late eighties? Are you implying that a Chinon CS has more shock and shake when the shutter is pressed? Or, heaven forbid, a Nikkormat suffers from the same fate? I need corroboration here in order to believe this. - David LygaIt's not just weight. The horizontal curtain gives less shock than the vertical shutter. This I have found in many many cameras. Only in the '90s or late '80s the vertical shutters get to be smooth.
I did not know this: Was this generally believed to be true before the late eighties? Are you implying that a Chinon CS has more shock and shake when the shutter is pressed? Or, heaven forbid, a Nikkormat suffers from the same fate? I need corroboration here in order to believe this. - David Lyga
Thank you for an informative response. One would have thought that the Japanese algorithmic steps for bringing a camera to market would have strongly studied this, especially because not having done this would have compromised the perceived quality of their lenses. I really think that this was a serious matter and, although I have no reason whatsoever to doubt you, I also find it hard to believe that the Japanese simply glossed over this manufacturing criterion. - David LygaI have owned many Nikkormats: FTN and FT2, EL and EL2.
You compare against a Nikon F2 without viewfinder (so weights about are the same), both mirror up, then trip the shutter. You will feel more vibration with manual Nikkormats (the FTN in particular). EL series seem to be a bit better. FE and FM were worse!
That being said, the effect in actual picture taking will perhaps be none or will depend on circumstances. I have great, sharp shots done with the black FT2.
All in all, I own about 24+ cameras and a constant thing i've seen in focal plane shutter cameras is that, in general, horizontal shutters are smoother. There are exceptions of course, for example the Nikon N80/F80 is remarkably smooth.
I wonder if a smooth shutter is more because of cloth versus metal? I'm sure the difference in sound of the F3 and FM2n I have is because of that.
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