My first camera was the AS and like the A it has the same type of AI coupling for AI lenses. Same as the A it use ADR instead of the built in aperture scale like the S. The exposure meter is the same as the SB which has 3 LED the +, 0 and - versus the S only 2 LEDs. The exposure indication on the top of the prism is only 1 led which lit up when the 0 in the viewfinder lit up by itself (neither the + or the - LED is lit).
Nice info.....Thanks.I started with the SB , when I updated my lens to AI traded the SB in for the AS, I was a working PJ working for the wire services and wanted the ability to meter in low light. As I never owned the standard head don't know how good it was in low light, the SB and AS heads were very good. As I recall there were some complaints that the SB was not very reliable, mine worked just fine for the 3 or 4 years I had it.
Yeah...thanks for the links. I am, kind of, familiar with all of that (though it never hurts to revisit the info).....I guess what I am really wondering is the different meters in practical application.?
How much "better" is the better meter.?
For example.....Do Owners/Users of both take better pictures when using the more advanced meter.?
Or is it more a matter of the meters being more versatile as the light reaches extremes, not just when the light is "optimum" when most camera meters will do well.....if you know what I mean.
I have the 'S' and the 'A', so I have a natural curiosity about the (advanced cost) of the 'SB' and the 'AS'.
Thank You
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I am confident that this post makes perfect sense.
I am however entertained by the fact that I, as a non-Nikon user, find it totally nonsensical.
...
I remember seeing an ad showing the AS head reading the scene in candle light. I thought hmmmm? Well, I tried it myself and believe it or not the F2AS could meter off the side of a face in candle light.
In the 70s there was a long race to improve the lightmeters available, and yes it was important as for instance CdS cells have a certain "inertia", gallium and silicone react more quickly to light changes. Also the introduction of LEDs (by Fujica) was due to allow to use metering in low light, where a needle is scarcely visible. Also Ev improve (downward), so from the DP1 range from 1 to 17 they went down to -2, which is a big improvement for night photography.
The "race" was won by Pentax with the LX that is the best camera for low light shooting....but even in 1975 in their K range you could see that with more money you had a better lightmeter, from the simple CdS needle of the K1000/KM to the silicon of the KX to autoexposure of K2 and K2DMD...later with the MX they introduced gallium cells...and you can easily see the leds of the MX reacts more quickly than the needle of a K1000.
https://www.cameraquest.com/ff2finde.htm
Yeah...thanks for the links. I am, kind of, familiar with all of that (though it never hurts to revisit the info).....I guess what I am really wondering is the different meters in practical application.?
How much "better" is the better meter.?
For example.....Do Owners/Users of both take better pictures when using the more advanced meter.?
I had considered a LX when I traded up from the F2 to the F3P, only reason I did not make the move was Nikon had much better world wide support, repair and services and ability to rent lens.
Of course, if you were a Canon freak you will be far happier, because the meter on the original F-1 has no problems with dirty ring resistors, jumpy needles, and it is a partial (like a bigger "spot") meter so in easier to rely on than a centerweighted meter. The new F-1 is also free from such problems and you can choose the metering pattern.
As much as I love the original F-1 it only had a lightmeter with CdS cells that was outperformed in term of reactivity and low light capabilities by the DP3 and DP12, as well as the lightmeter of the Pentax KX, K2, K2DMD (the DMD is predecessor of the LX, it also autoexposes for hours in night shots should the lightmeter deem it necessary) and even by the DDR Praktica B200 that used gallium arsenide cells.
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Off topic - my apologies.
I am confident that this post makes perfect sense.
I am however entertained by the fact that I, as a non-Nikon user, find it totally nonsensical.
I expect I could create something similar for some of the cameras that I am familiar with, but at the moment, I cannot think of anything.
It always amazes me how much specialized and valuable knowledge is available here on APUG.
Yes, I can imagine. If some jerk stole it out of your locked car or house it would be terrible. If they same jerk took it while your back was turned and you weren't looking........................well, then it's time for suicide. I had a friend that was shooting the local Coast Guard Festival and really screwed up. People were lining the streets as the parade was going through and he was shooting a few shots with his Hasselblad while his Nikon F3HP w/attached 180mm f2.8 ED Nikkor was resting on the curb next to him. He stepped into the street and walked along just a few steps with the parade shooting the Hasselblad when he turned to walk back guess what wasn't resting on the curb anymore. Yup, I don't think he ever got over that one, but I'm sure he never turned his back again.If selling the F2As brought tears to your eyes then imagine when I found out that someone had stolen my F2AS.
Yes, I can imagine. If some jerk stole it out of your locked car or house it would be terrible. If they same jerk took it while your back was turned and you weren't looking........................well, then it's time for suicide. I had a friend that was shooting the local Coast Guard Festival and really screwed up. People were lining the streets as the parade was going through and he was shooting a few shots with his Hasselblad while his Nikon F3HP w/attached 180mm f2.8 ED Nikkor was resting on the curb next to him. He stepped into the street and walked along just a few steps with the parade shooting the Hasselblad when he turned to walk back guess what wasn't resting on the curb anymore. Yup, I don't think he ever got over that one, but I'm sure he never turned his back again.
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