Okay, here's the issue - I found a very dirty but functioning Nikon F with a Photomic finder in a thrift shop - US$98.
Now, I didn't get it right then, but as I had never handled one, I did some research.
Thanks to the mir.com site, I am now having a serious bout of GAS for the Nikon F!
This led me to trolling the bay, Keh, etc.
Now, for background, I already have a Canon F-1N, a Bessa R3M, a Kiev IIa, a few Mamiya C-TLRs as well as a new Fuji GF670.
I really, really liked the build quality of the Nikon F I handled.
What I need from all of you is your advice on which version of the F to get as well as the best finder for a pairing and a general idea of how much I should pay for one in good cosmetic and functional condition.
Thanks!
The Nikon F with an unmetered prism finder is neat. The Photomic finder made it a beast. However, the F did have its idiosyncracies, often due to providing for a very wide range of accessories. I still keep one around for times when only 35mm film will do.
The Photomic finder made it a beast.
+1 for Sover Wong. He brought my F2 to like-new condition. He only works on the F2
and he knows everything there is to know about it. He also has repair parts.
F2 > F because you can still get the meter batteries for the F2.
How is putting an F2 Photomic head on an F a simple modification when the F2 battery is on the bottom plate and the on switch is the window lever, unlike the F where battery switch and meter are one unit????
Thanks to the mir.com site, I am now having a serious bout of GAS for the Nikon F!
Aside from the finders, later ones have a plastic grip on the wind lever, which is a little nicer. Also as I recall, somewhere in the history they went to putting the manufacture year in the first two digit's of the S/N. Not sure if the switchover year is documented though.
The meter finders are a bit ungainly, but I'm not sure the "value" of the plain ones matches the reported cost.
If you run into a chrome one with a plain finder and a black name plate, made in circa 1970, it may have been stolen from a house in Thailand 40ish years ago
... The F2 is everything the F was but better too.
I might well have agreed at a time when the F2 was the top professional camera. It offered a couple convenience features, handier motor drive, and maybe improvements in the metering.
For me, and apparently a lot of others, the F2 is more, but not better. It is more weight, more noise, and more rough feeling in operation. I prefer the F, but they are both fabulously made cameras. If you need or want the features of the F2, then it would obviously be the better choice.
Starting around 1989 or so I've owned in order an FE2, FM2, N70, N60, F80s, and N90. Sold all off thru the years and went Contax SLR for color work and the Zeiss glass. About a year ago got an F3 for an awesome low price and then an FM2 too. Missed the Nikon and rediscovered the wonder of 1960's F-era glass particularly for b&w work, which is 98% of my work now (the 105/2.5 and 50/2 are simply heaven in my eyes). On a whim a gorgeous black F2 showed up on APUG last year and I bit. My god I love my F2. Was not prepared for how
awesome it is. Got two of them now (black and chrome). It's like the Leica body of the Nikon line up.
Now reading this seems I might have to try an F!
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