I would be surprised if it makes a difference in spot meter reading whether one uses regular color mode or monochrome mode so you needn't shoot in monochrome at all for the express purpose of using it as an exposure meter.
I would be surprised if it makes a difference in spot meter reading whether one uses regular color mode or monochrome mode so you needn't shoot in monochrome at all for the express purpose of using it as an exposure meter.
:Niranjan
Indeed. I assumed the question about a permanent monochrome mode was disjunct from the intention to use the camera as a light meter.
I also suspect that the metering system may not compensate for any color filter settings used in monochrome mode, although it's conceivable Nikon did implement some kind of intelligence for this purpose.
YES! Thank you. This will take a lot of the guesswork out of figuring WTH is a good film speed for my Xray film. So far I haven't been able to nail down one to save my life. And if you can't get a handle on that variable, how can you pin down a developing time?
You'll get MUCH better response
This is around 10 year old camera (I have one) - I doubt they were making them "intelligent" then.
YES! Thank you. This will take a lot of the guesswork out of figuring WTH is a good film speed for my Xray film.
You'll get MUCH better response if you start a new thread or two asking about film speed and processing of XRay film.
I'm not sure how you would go about convincing the D7100 to respond with the same or similar spectral sensitivity as X-ray film.
I use my Sigma SD9 as a light meter, like the D7100 and most if not all digital cameras the lowest ISO setting is 100. I too have a box of 4X5 X ray film that I need to test to find best ISO. To shoot a ring around I plan on starting the ring at ISO 6 and work up to 100, so one sheet at 6, one at 12, one at 24, 50 then 100 for a total of 5. I have a several handheld meters that go as low as 6. If I wanted to shoot with my Sigma, or for matter a Sony digital I would have to set the ISO at 100, meter and count down - 5 stops then shoot and expose for 4 stop ect then develop. Once I have the E,I to meter with a digital body I would just count down the number of stops. Most seem to use an E.I of 6 or 12, depending on the developer. To shoot zone, well, without a denstomser I would need to shoot a whole ring of 8 or 9 sheets to find the ISO that provides texture from Zone III to Zone VII. I have a 50 sheet box so I might.
I think with the D7100 you can set the exposure compensation to +4 and ISO 100 and the meter will read the same as 6. From ISO 100 to 6 is only 4 stops and not 5 right?
if You have the IR cut filter removed, you can get into the IR range, and filter X-ray is past IR on the spectrum and even a UV-vis-IR conversion would not capture x-rays though.
So does this mean that if I set my D7100 to 100, then all I have to do is figure out how to set the exposure compensation, to -2, then it will effectively be metering at ASA 25?
So does this mean that if I set my D7100 to 100, then all I have to do is figure out how to set the exposure compensation, to -2, then it will effectively be metering at ASA 25?
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