Does which lens appears sharper really matter? They're both sharp. Why bother trying to figure out which is more so?
I was hoping there would be some test out there (plenty of tests on newer lenses) that covered these two lenses. I am sure someone has performed tests on these lenses at some time, these lenses have been around for a very long time. I would also like to know which one is less prone to flare.
(snip)Sharpness in photo isn't just what's in your lens, it's what's on your print (cf. Barry Thornton).
There's a site out there in the internet that did some relatively subjective Nikon lens evaluation. It is interesting to note that they sometimes had different opinions of the same lens depending on what body it was mounted to. Barry had a good point... there's a lot more to sharpness than a MTF curve.
By the way... that site (which you'll have to google for yourself because I don't recall the URL) seems to indicate that the 50/1.4 is the sharper of the two lenses... whatever that means.
I'm always a fan of testers site, but I think I might drift more towards an appreciation of them as a specific artistic genre than at truely useful information... I can't distinguish the results between an SMC Takumar lens and a Jupiter one, so maybe that doesn't matter too much to me.
Testing most modern lens is not as critical as it was in the past. Computer designs and automated manufacturing have really increased the quality control so it is much more difficult to buy a really bad lens from European or Japanese lens maker. I have no experiance with Eastern European or Chinese lens so I cant comment about their level of quaility control. But in the old days it was possible to buy a good lens that was made badly. I have an old military lens test kit and I tested my lens, in the mid 70sI did return a Nikon 35mm that did not perform well, the replacement worked just fine. I do not bother to test new lens, but I will test used lens.
Agreed, especially with newer Japanese lenses. I would be curious to know more about the military test kit you mentioned. As you mentioned, there have been lenses produced in the past that have not been made up to the best of standards. What makes my query somewhat more difficult is the fact that the lab I am using is doing a great job, so it is impossible to see subtle differences. My next step is to shoot slide film with the both lenses using the same camera and lighting to see the differences.
What makes my query somewhat more difficult is the fact that the lab I am using is doing a great job, so it is impossible to see subtle differences.
I don't want to hammer the point unduly, but isn't that the answer you need to your question regarding lens sharpness?
Nope. The project I am thinking about includes large groups of people. (snip) I don't want to waste my time on a few "fuzzy" shots to then discover that I sould have spent time shooting with one lens or the other. As far as stopping the lens down, due to lighting and distance restrictions I believe I will need to use the lens at F5.6 or F8 at the most, F11, 16, and 22 might not be possible during the shoots. Hopefully this explains my "obsession" with sharpness. It is not just a matter of being fickle.
Nope. The project I am thinking about includes large groups of people. Yes, I do own medium format equipment (Mamiya 645, and RB67 with lenses).
For a large group shot why not the RB67 with a wide angle?
Nope. The project I am thinking about includes large groups of people. Yes, I do own medium format equipment (Mamiya 645, and RB67 with lenses). When photographing large groups (8 or more people) on a small negative like 35mm, sharpness is critical. I chose the 35mm and 50 mm focal lengths because I can use either one, it would just be a matter of stepping back a bit. So far, my lab has produced great results with just about everything I have photographed. I have not tried experimenting with shots of large groups yet mainly because it is somewhat difficult to get a large group to pose. Yes, I can always use both lenses during the shoot, but that would be a waste of precious time. Time is money. I will be spending time taking multiple group shots then time scanning them. I don't want to waste my time on a few "fuzzy" shots to then discover that I sould have spent time shooting with one lens or the other. As far as stopping the lens down, due to lighting and distance restrictions I believe I will need to use the lens at F5.6 or F8 at the most, F11, 16, and 22 might not be possible during the shoots. Hopefully this explains my "obsession" with sharpness. It is not just a matter of being fickle.
Nope. The project I am thinking about includes large groups of people. Yes, I do own medium format equipment (Mamiya 645, and RB67 with lenses). When photographing large groups (8 or more people) on a small negative like 35mm, sharpness is critical. I chose the 35mm and 50 mm focal lengths because I can use either one, it would just be a matter of stepping back a bit. So far, my lab has produced great results with just about everything I have photographed. I have not tried experimenting with shots of large groups yet mainly because it is somewhat difficult to get a large group to pose. Yes, I can always use both lenses during the shoot, but that would be a waste of precious time. Time is money. I will be spending time taking multiple group shots then time scanning them. I don't want to waste my time on a few "fuzzy" shots to then discover that I sould have spent time shooting with one lens or the other. As far as stopping the lens down, due to lighting and distance restrictions I believe I will need to use the lens at F5.6 or F8 at the most, F11, 16, and 22 might not be possible during the shoots. Hopefully this explains my "obsession" with sharpness. It is not just a matter of being fickle.
Nope. The project I am thinking about includes large groups of people. Yes, I do own medium format equipment (Mamiya 645, and RB67 with lenses).
For a large group shot why not the RB67 with a wide angle?
It would make sense from an optical point of view to use my RB76 with a wide angle, the problem arises during scanning. I currently have an Epson 4870 Pro flatbed scanner. I plan to do batch scans with it. Batch scans are only possible with 35mm frames, not 120. When a medium format scan is made on my scanner, it can only be done one frame at a time. There is no way to scan more than one medium format frame at a time on my scanner. Yes, I could go out and spend a small fortune on another scanner that would permit me to batch scan several medium format frames at a time, but it would not be cost effective and would be extremely time consuming. The most cost effective way of obtaining multiple group shots is with 35mm film. I also own DSLR's, but again, quality is important to me.
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