Film has a big advantage for NFL films - it is far easier (or at least cheaper) to do super slow motion filming with film than it is with digital. And NFL Films and slow motion kind of go together.
I am glad to hear of the interview, because last I heard NFL Films were actively pursuing transition to digital media.
This was nice to read! I may have to start watching more NFL games.
Why is the NFL shooting 16mm film? NFL games are broadcast live on TV, which requires digital (TV shows broadcast at a later date can be shot on film, but live must be digital). I cannot think of any reason at all that they would shoot film movies.
Actually, kinescope was the standard method of recording at the time that I Love Lucy started. Tape was just being developed and was of very poor quality. It was introduced commercially about the time I Love Lucy ended its run.In the early days of television the shows were live or on tape. Desi Arnez pioneered the idea of putting I Love Lucy on film because the tape copies of such a show were extremely poor.
The NFL shoots more film (16mm) per year* than all of the studios combined. They process their own as well. Every single game has multiple guys running around with Arri SR's.
*I read this somewhere a long time ago.
The NFL films aren't what you see in live broadcasts.
They document and promote the NFL.
They also to all sorts of feature presentations that show up in corners of the sports television world.
Here are their "current" productions: http://www.nflfilms.com/programming.html
Why is the NFL shooting 16mm film? NFL games are broadcast live on TV, which requires digital (TV shows broadcast at a later date can be shot on film, but live must be digital). I cannot think of any reason at all that they would shoot film movies.
Digital is quite handy but is still quite iffy as to how long it will last. I have family photographs from the 1920 that are in perfect condition. Ditto with negatives from the 1930s on.
The main reason according to the article is the longevity of film, compared to current digital storage technology.
None of our family digital photographs from the 1920s and 1930s have survived.
Which article? I did not read that.
not really.
the arri sr's only go to 120fps and that's easily obtainable with many current video cams. 150fps burns up a 400ft load pretty quickly.
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