The normal advice in a case like this is to suggest a Crown or Speed Graphic...however, if your interest is in architectural photography, you need more movements than a camera like that can offer.
Helpful information, that. A monorail camera is a good bet.
I would sign up at the local CC and try large format first. Learn how to use it. Then buy one when you are sure that's what you want. The best first step in something is rarely to buy #*%#.
If you find an outfit for a reasonable price go for it. Most community colleges I know of expect you to have your own equipment and here in CA even the state college I go to requires you to be a photography major to take the large format class.
I wish I know I know what a reasonable price for a speed or crown graphic is but it all depends on what you want out of the system.
If you find an outfit for a reasonable price go for it. Most community colleges I know of expect you to have your own equipment and here in CA even the state college I go to requires you to be a photography major to take the large format class.
The CA CC at which I took classes has about 20 of their own large format cameras and introduces students to them in the first photo class, and then for your second class you have the option of taking the large format class. It really depends on the school, I think, and not the state.
Well you can get a good idea on prices by looking at keh.com they have quite a number at the moment.
Did you have a look at the setup in the classifieds or is that too much of a risk for you?
I have used a 4x5 Toyo before and I like it very much. The opportunity to move the front and the back plane is something that I would do more of (I do some architectural photography).
toyos are a very nice modular system.
that means you can buy a 4x5 toyo monorail
and ifyou want to expand it to be a 5x7 or 8x10 camera
you keep the front standard and buy a new back and bellows and maybe a
new rail for the camera ( not to forget lenses if the lenses you will already have
won't be suited for a larger format ).
i use a toyo45cx and it has suited me well for many years, but i started off with
a graphic view II, a camera i wish i never sold. the graphic view II is a solid/well built
camera that can take 90mm (wide) to more than 210mm ( long ) and it will afford you
as many movements that you can imagine you would need shooting architectural photographs.
often times they come in a fiber box that holds the camera, film holders, lenses dark cloth, light meter
and the camera. they are worth their weight in gold!
i am not sure if you have poked around http://www.graflex.org but they have a ton of information on graphic/graflex cameras.
good luck!
john
About building a long term system. Lens and filmholders are basically universal. You might need new lensboards to mount the lenses to a different body but that's not too hard or expensive.
New? I think Badger has a deal on new starter field cameras. Used will be much much cheaper.
When you say architecture what do you mean? Old barns aren't that demanding. I'm guessing the guys doing interiors need much more from the camera.
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