I'm gonna miss 160VC though, it just had a way of rendering skin tones with just enough warmth that 160NC couldn't. And don't even get me started on red's and yellows vs the pastel-ness of 160NC. I could backlight people no problem, it just kept right on chuggin .
I'm really going to miss 160VC, I have to say its probably my favorite film of all time, hands down
This is really good news, although not unexpected. I, like many, find Ektar 100 rather harsh for most uses. Although a bit more grainy, the new Portra 160 offers a lower saturation alternative. I notice that the new film has pretty high contrast, however. This is not a problem for people who scan their negatives, but it may be an issue for those who still do regular color prints.
This is really good news, although not unexpected. I, like many, find Ektar 100 rather harsh for most uses. Although a bit more grainy, the new Portra 160 offers a lower saturation alternative. I notice that the new film has pretty high contrast, however. This is not a problem for people who scan their negatives, but it may be an issue for those who still do regular color prints.