I tend to think Depardon is a good photographer, not sure this is his best work, but what I like in his work iis more the sense of "continuity" than the "greatest hits" he produces. His work about rural France is something I love. I really like "La terre des paysans" (could be translated to "farmers' land"). The fact that he was born in a farm and his parents were farmers shows in the images.
Look here
Finally, I'd say that what I prefer about the image is that it is shot on an "obsolete" media with an "obsolete" camera...
I'd rather have my official portrait taken by Depardon than Leibovitz. Her portrait of Queen Elizabeth is ghastly: http://obamapacman.com/2010/01/annie-leibovitzs-mac-has-seen-a-certain-golfer-topless/annie-leibovitz-queen-elizabeth-ii-official-portrait/
Dead Link Removed
There is something odd going on here. In the photo of the photographer working you can see his camera is clearly aiming up at the President and the buildings would in the distance should have converging lines like any building you aim your camera up at. Instead the lines of the building almost seem to be widening at top as if the photographer was looking down at them. And the enlarged head of the President is illogical as well.
What I am guessing happened is that the film was scanned and then the perspective for the building corrected in photoshop, which also enlarged the head of the Pres.
Dennis
Not bad.
In Finland we have a new president as well. However, the so-called official photograph of him was widely criticised. Photoshopping is so evident, have a look:
http://www.iltalehti.fi/uutiset/2012041615459656_uu.shtml
Annie would have made it be too theatrical in my view whereas Depardon photographed this street per se. The more I think about this photograph, the more I begin to like it. Hollande is shown as a part of the government, not the government (ie at a desk governing), something subtle, different, brilliant here....Je pense que si Annie Leibovitz obtenu le concert que nous serions vraiment obtenir ce que WOW! facteur qui brille à travers. La photo comme il est apparaît comme une déclaration valable pour le cinéma, mais pas par n'importe quel tronçon de compétence technique, qui je pense est assez pauvre.
Actually I have the impression the lens is probably slightly wide angular, the camera is aimed slightly downward, which makes the head of the President so unfortunately prominent. Buildings are not supposed to cut a head in two, but this is no normal building, and no normal head, so why should the photograph be normal?
Besides, remember that during the electoral campaign this candidate promised to renegotiate all the rules about composition, which were unfairly dictated by the Germans profiting from the fact that they made the camera and the lens.
You can actually see a subtle political message there: the photographer "of the peasant" (very worker-minded, well done, good shot) instead of the photographer of the celebrities, the portrait like your aunt would have made it (power to the people!), the tailor who was working as a milkman until election day, it all says "make no mistake, I'm not your usual President working for the bourgeois and the banks".
He's not holding a black child in his arms only because it's an official shot.
Fabrizio
Yes my politically incorrect idea is that he's a bloody demagogue. And I have all the right to express my opinion because he's a "cousin" after all
If you tili the camera down, the head would appear smaller.
Why? The more you tilt the camera down, the more the head is "nearer" in respect of the feet.
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|--------- | camera tilted down, head "larger"
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and it was nice that the British weather was so kind as well.... well actually it was'nt... it was more like February.
It's called convergence. Look at buildings, or other upright structures. When you tilt camera backwards, it's as though they 'spread out', and if you tilt forward the peaks of the buildings lean in on each other. Why should it be any different with the president's head?
Edit: I think I have the concept stuck in my head wrong...Sorry to mislead anyone. It's obviously the other way around, so technically pointing the camera up is when buildings and things become distorted and 'lean in' on each other, so if the camera man was pointing the camera from above and down at the president, his head should in fact look smaller.
[...] so if the camera man was pointing the camera from above and down at the president, his head should in fact look smaller.
If the camera man was pointing the camera from above and down at the president, his head should in fact look larger. The head is nearer = larger. The wide angle amplifies the effect. It's like the "big nose" effect in a portrait taken with a wide angle. Whatever is nearer than the rest, appears larger than the rest.
You have convergence toward a vanishing point "somewhere up" when you point your camera upward. You have convergence toward a vanishing point "somewhere down" when you point the camera downward. If your camera is pointed "below the horizon", buildings appear to have an "inverted pyramid" shape, not a "pyramid" shape, to exaggerate for clarity.
In the case of this portrait, my impression is that the camera is pointing slightly downward. That both makes the head of the president slightly "larger" and makes the buildings show the slight "divergence" of the parallel lines (because they do converge, but they converge the opposite way in respect of what they normally do when we take pictures of buildings pointing the camera upward).
Fabrizio
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