giosanta
Dear friends
I'm sorry for my English and happy to meet others Olympuss enthusiast.
My name is Giovanni Santangelo, and I live in Italy at Airola, a little town near Benevento.
I'm an architect 52 years old.
I started in 1979 with an OM1, at the Olympus OM death I buy some Nikon, beautiful cameras but I dont' like the Nikon optical philosophy: too much flat and distorted with wide angle, I prefer the German way (Leica, Zeiss), more plastic or 3D effect, but Leica M (I've try it) is for me, at this moment, too expensive (but i'm sure to buy it in a short time) and, once again only my opinion, Leica R and Contax are too expensive to be dead systems. On the contrary, seeing some my old dias or B&W prints took with my old OM1, I've discovered the same 3D effect only a little bit under Leica.
My old OM1 (with 24/2.8; 50/1.8 and 200/4) was sold may years ago, but now I'm waiting a 24/2,8 and a 50/1,4 plus an OM4, in the future is sure an OM1 and a lens from 85 135.
Too much long... excuse me.
To the next.
Giovanni.
I'm sorry for my English and happy to meet others Olympuss enthusiast.
My name is Giovanni Santangelo, and I live in Italy at Airola, a little town near Benevento.
I'm an architect 52 years old.
I started in 1979 with an OM1, at the Olympus OM death I buy some Nikon, beautiful cameras but I dont' like the Nikon optical philosophy: too much flat and distorted with wide angle, I prefer the German way (Leica, Zeiss), more plastic or 3D effect, but Leica M (I've try it) is for me, at this moment, too expensive (but i'm sure to buy it in a short time) and, once again only my opinion, Leica R and Contax are too expensive to be dead systems. On the contrary, seeing some my old dias or B&W prints took with my old OM1, I've discovered the same 3D effect only a little bit under Leica.
My old OM1 (with 24/2.8; 50/1.8 and 200/4) was sold may years ago, but now I'm waiting a 24/2,8 and a 50/1,4 plus an OM4, in the future is sure an OM1 and a lens from 85 135.
Too much long... excuse me.
To the next.
Giovanni.