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I like the concept. But I'm an old dog and there are too many phenomenal bargains on great older cameras out there to make this anything I might consider. But perhaps the younger crowd will find it appealing. The interchangeable lens mount is a great idea.
The apparent downside to the interchangeable lens mounts is stop-down metering and exposure.The interchangeable lens mount is a great idea.
You can get two Nikkormat Ftn bodies and a great set of pre ai lenses for what the Reflex costs. Maybe enough left over for an overhaul, plus the utterly reliable design - the downside would be meter cells and ring resistors -but- both my Ft 1965 and Ftn 1971 have smooth and accurate meters.If I had the money I would back it. It would be nice to have a single camera for all my lenses and an interchangeable back. I'm rooting for them.
You can get two Nikkormat Ftn bodies and a great set of pre ai lenses for what the Reflex costs. Maybe enough left over for an overhaul, plus the utterly reliable design - the downside would be meter cells and ring resistors -but- both my Ft 1965 and Ftn 1971 have smooth and accurate meters.
What it does not offer is reliability and simplicity. Very important for folks in learning mode.[/QUOTE]I think this project is fantastic and especially because it IS different than the 'current' gear available. It's cheaper than that recently discontinued icky Cosina/Vivitar/Nikon FM10, and offers much more.
Reading some of the derogatory comments particularly on the other related thread, I can't help but draw similarities with the attitude of stalwart vinyl enthusiasts reacting to the vinyl revival. They were like an exclusive gentlemen’s club which revelled in the notion of enjoying an ancient music format which every day was teetering on edge of death. They liked it being ‘their’ little secret which the mainstream no longer bothered with. When vinyl's popularity grew again, largely due to the format being adopted by the same market-sector this camera is aimed at, they were repulsed.
But unlike the old vinyl enthusiasts who didn't need a supply of new LPs to still enjoy the use of their prehistoric turntables, analog-photography enthusiasts need a supply of film, unless they want their cameras to be nothing more than paperweights within five years. And that means attracting new blood.
Many young people looking to buy into film aren't interested in their Granddad’s ancient FM2. They’re interested in the technology (film) but to use it they want a camera they can call their own; something post-millennia that looks, feels and operates in a contemporary way.
I don’t know if this camera meets that brief because I've not been under 30 years old any time this century. But surely detractors should be applauding any and all attempts to introduce film photography to new blood.
Reading some of the derogatory comments particularly on the other related thread, I can't help but draw similarities with the attitude of stalwart vinyl enthusiasts reacting to the vinyl revival. They were like an exclusive gentlemen’s club which revelled in the notion of enjoying an ancient music format which every day was teetering on edge of death. They liked it being ‘their’ little secret which the mainstream no longer bothered with. When vinyl's popularity grew again, largely due to the format being adopted by the same market-sector this camera is aimed at, they were repulsed.
But unlike the old vinyl enthusiasts who didn't need a supply of new LPs to still enjoy the use of their prehistoric turntables, analog-photography enthusiasts need a supply of film, unless they want their cameras to be nothing more than paperweights within five years. And that means attracting new blood.
Many young people looking to buy into film aren't interested in their Granddad’s ancient FM2. They’re interested in the technology (film) but to use it they want a camera they can call their own; something post-millennia that looks, feels and operates in a contemporary way.
I don’t know if this camera meets that brief because I've not been under 30 years old any time this century. But surely detractors should be applauding any and all attempts to introduce film photography to new blood.
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