1/2 frame cameras for me. No smaller than many 135 format cameras and half the neg area.
A recent post on the lack of interest in the 645 format got me thinking about other things that miss their mark. For example 135mm lenses for 35mm format. Too long for most portraits and too short for a telephoto. I have a couple that gather dust in a closet. Any others?
1/2 frame cameras for me. No smaller than many 135 format cameras and half the neg area.
ISO100 film
What missed the mark for me is 35mm length lenses. Not wide enough really for me, I'd rather break out the 28 or go to the 50.
Wheres for me, it is the 28mm lens.What missed the mark for me is 35mm length lenses. Not wide enough really for me, I'd rather break out the 28 or go to the 50.
A recent post on the lack of interest in the 645 format got me thinking about other things that miss their mark. For example 135mm lenses for 35mm format. Too long for most portraits and too short for a telephoto. I have a couple that gather dust in a closet. Any others?
ISO100 film is my go-to for my sunny 16 cameras. Makes the math easier in my head. It's also nice and clean looking if I'm taking portraits.
What missed the mark for me is 35mm length lenses. Not wide enough really for me, I'd rather break out the 28 or go to the 50.
1/2 frame cameras for me. No smaller than many 135 format cameras and half the neg area.
+1 on both accounts.
To me, the 35mm (and 28mm) lens was the poor man's wide, and IMO, wide starts at 24mm.
What missed the mark for me is 35mm length lenses. Not wide enough really for me, I'd rather break out the 28 or go to the 50.
ISO100 film
About 1/2 frame cameras: After getting used to medium format camera neg quality, the use of even 35mm cameras is sometimes questionable. 1/2 of 135? Forgetaboutit!
+1 I have been saying that for decades.
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