Body-wise, If I were you, I'd keep the SRT-Super and I'd actually sell the X-700 and replace it with either an XD-11, XD-5, or X-570. X-570s are cheap (you can generally get them on ebay for under $30) and IMHO, superior to the X-700 because Minolta changed the capacitor that was a reliability issue on the X-700, and also they replace Program mode with a really well executed metered manual mode that the X-700 lacks.
Ironically, because most folks are not aware of this, you could probably sell your working X-700 for $10-20 more than a clean X-570 costs to buy.
Body-wise, If I were you, I'd keep the SRT-Super and I'd actually sell the X-700 and replace it with either an XD-11, XD-5, or X-570. X-570s are cheap (you can generally get them on ebay for under $30) and IMHO, superior to the X-700 because Minolta changed the capacitor that was a reliability issue on the X-700, and also they replace Program mode with a really well executed metered manual mode that the X-700 lacks.
Ironically, because most folks are not aware of this, you could probably sell your working X-700 for $10-20 more than a clean X-570 costs to buy.
But doesn't the X-570 lack TTL flash?
But doesn't the X-570 lack TTL flash?
Define "best" for you.
I have 3 50mm and the 45mm; although in general not highly regarded the MD50 f/2 has the lowest distortion of all four.
The X-570 has TTL auto Flash exposure control, just like the X-700.
Otherwise, the MC Rokkor(and -X variant) PG 50mm f1.4 is really sharp and my choice for "normal" focal length use for color photography. I have the MD Rokkor-X 50mm f1.4 and it is missing something
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